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Monday, September 14, 2020

Shay's Rebellion

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We, the people of Massachusetts, are in an uprising. I think that this upheaval is very necessary, and I support it to the fullest. Shay's Rebellion is a crisis that has occurred in Massachusetts that should enhance the support of the Nationalists' cause. This rebellion is the result of excessive land taxation, high legal costs, and economic depression that came after the American Revolution. As citizens of Massachusetts and America, we must think of solutions to the problems that we are facing today.


Years have passed and the American Revolutionary War is over. True enough, the war may be over but like always where one problem ends, another begins. The merchants and wealthy people who loaned money to the states now want their money back. They are forcing the bankrupt states to pass high taxes in order to collect the money to pay off the debts. Legislators here in Massachusetts have now passed the heaviest direct tax ever. The he tax has to be paid in specie, rather than paper money. Specie is far more scarce and worth much more than paper money. The insurgents are mainly poor farmers that are being threatened with loss of their property and imprisonment for debt. The rich are not affected by this tax much. They are the beneficiaries of this tax. I feel as though everyone should be treated equally. The amount of the tax should be based on how much land you own, and the legislators should accept whatever kind of money that the taxpayers have. This is only one of the injustices that people like me are being faced with. I strongly oppose the high land taxation along with the other unfairness that we are facing.


There are certain things in life that should cost very little or nothing at all. It is ridiculous when people have to pay to protect themselves. We are living in what is supposed to be a democratic republic. Legal costs are extremely expensive. We are supposed to be free and independent. It does not seem that way when we have to pay to be treated fairly and equally. We have forced courts to close, due to rejection of our petitions and public meetings. Because we are not focused as a people, we are divided. We will never again be content if we remain economically, politically, and socially divided and depressed.


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As a state, we are in economic depression. The citizens of Massachusetts have been hit with an incredible economic blow. We are in debt. No one group of people should have to deal with the consequences of the whole country's mistakes. The whole country made the decision; therefore, the country as a whole should endure the consequences. During the war, prices were extremely high. Prices are extremely high. Inflation has reduced our ability to buy goods. The price of a bushel of corn has risen from less than a dollar to almost eighty dollars. This is bizarre and intolerable. I will not stand for it. This is a prime example of the causes and need for this rebellion.


I would personally like to thank Mr. Daniel Shays for taking the initiative to finally speak up and protest these ludicrous punishments that the citizens of Massachusetts are being faced with. We are not responsible for this war and its effects. It seems as though the legislators would like to make the impoverished states pay off their debts. It is simply inequitable and unbearable. We will not take these harsh punishments. This was the reason for cutting all of our ties with Britain. Who would think that after declaring independence from Britain, we'd have to declare independence from America. We are demanding protective legislation, the abolition of the court of common pleas, and a radical reduction of taxes. This must be done through a cooperative effort.


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Wednesday, September 9, 2020

My Family History

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Every year my family members usually come home together to have new year dinner. Especially last year, we celebrated for one family member (my brother) who just came to US from VN. Normally, after my fathers statement, everybody started eating, talking and giving to each other all the best wishes for new year. I sat at the corner of the table and looked at every single family face. I mutely thanked God for he has given us the strength to pass all the difficulties. I suddenly remembered the day we just came to the US. With a big family, we had a lot of things to support food, cloth, furniture, etc.. that is why we started to look for job right away. My father, the main worker in the family, found an assembly job but they paid him a little because he had no experience and he was old. Besides that, my brothers and I couldnt stay there and look. We also got some work to do even we didnt like the kind of work dish washer, toilet cleaner, waiter or whatever. At that time, work had a meaning like to survive for my family. And that word is attached with the hold life of my ancester, my father, my mother and myself.


My ancestors were the hardest workers. They were born in wartime. So they had to face with the death by guns and bullets everyday. They also had to work to support the needs in family. At that time, husbandry was the most popular work to do. They tried to reach their own land to plant but it wasnt easy as they thought. The war destroyed everything but it did not make my ancestor given up. However, for their family and their own surviving, they just kept planting and hoped for the next harvest. Their belief really helped them in work and also gave them the hope, the strength for their children in future.


Coming after my ancestor, my father was also the great worker. Since the day his children were born, he had to work harder to feed them. He could do any kind of work like dresser, waiter, wheelwright, cobbling. He usually told his children, to be a good person, you have to work and work hard. Even when we came to US, a luxurious place, he did not stop working. I usually talked to him that he was getting old, so he just stopped working and let my brothers and me support the family. But he disagreed because he wanted to model and let his children to follow that model. It was the great precept, which made me always proud of my father.


To imitate my father and to repay my moms kindness, I tried to be a hard worker and work hard as much as I could. At that time, I didnt have much experience and any chance to work in a good place, so I just tried to seek the normal works like waiter, dish washer, janitor, etc. Working in such a kind of place, I had to wake up so early in the morning. It was too cold and hard to get up at that time. Sometimes, I just wanted to stay home and sleep straight to noon but when I thought about my father, my mother and my family welfare, I got out of bed happily and went to work. My father usually told meIf you want to be a bigger person, you have to win yourself. Day after day, I got a little experience from friends, from work. Then I applied in a good company, which gave me a lot of benefits. Besides that, I decided to continue my education. And unbelievably, my study had been processing perfectly. Since then, I can imagine a good horizon waiting for me ahead.Cheap College Papers on My Family History


In conclusion, my family is a laborious working family. The reason we worked so hard was heading to a bette future. Now, I am working in a good place, and my family no longer faces as many problems, but I still remember how we passed all the difficulties, because that period is really an unforgettable page of my family history.


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Indeginous African theatre

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Indigenous West African Theatre Pre-colonial


African traditions of professional entertainment date back to ancient times. Storytelling, music, and dance have all played a central role in African culture, because they help preserve history and religious and social customs Traditional drama in Africa combines storytelling, songs, and dances with costumes, masks, mime, and drumming. Another important part of that tradition are traveling entertainers, including griots (poets) and singers who praise tribal leaders and other important figures. Playwrights today draw upon these traditions for dramatic material. Contemporary social issues or political events, such as the struggle for independence or tribal warfare, also supply themes and plots for plays. (I thought this would be good introduction for our section-both groups- I was thinking of doing it).


Presently the Drama in French West Africa has been fostered by French-language academies. In West Africa, theatre artists received their training in public schools and universities fashioned after European models. However various factors have been responsible for the indigenous Pre- colonial West Africa Theatre.


How indigenous West Africans came up with their play


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Class formation and social innovation were very much part of pre-colonial history and were reflected closely in the performing arts. The way in which pre-colonial African societies organized their labour to create the necessities of life was meditated in an initiating way by popular theatre. A good example of this is the Kote-tlon theatre of the Banama people in Mali.


· The Kote-tlon was a group of young Banama comedians. Their plays were based on showing how the system of the "age-grade association" was good for their community.


What was the "age-grade association"? Banama labour teams were organized through age-grade associations known as Ton and were not allowed to marry nor have total freedom until a certain age. The Ton was called Ngonson ton when it acted as a collective agricultural labour force or was used on public work projects initiated by the council of elders; the same group, under the age-set leadership, called Flamekew, operated as an entertainment society, known as Koteba ton, for the production of theatrical performances. These groups through acting showed their frustrations in those "age-grade associations".


The Kote-tlon portrayed through acting that if there were no "age-group association", the young men would in return become greedy, unfaithful morons. Such stereotypical problems would reduce the productivity of agricultural, which the community was very dependent on.


The labour exploitation system enforced ate marriages. This resulted in frustactions, which led to their themes of plays to have satire on sexual themes aimed at unfaithful wives, impotent old men and cuckold. This is a typical case of youth venting their sexual frustrations in an inhibited manner.


· A good example of a pre-colonial masquerade, which developed a sophisticated system of satiring caricature, was the Okumpa drama of the Afikpo from Nigeria Cross-river region.


The Okumpa masquerades, like those of Banama, were very related to all-male ancestral cults, controlled by the elders in the Afikapo society. It was particularly the wealthy, titled male elders who displayed their influence over the Okumpa by acting as patrons, for the plays, either through direct support to the performing troupes or by "dashing" the actors during arrangements for the plays. To start with, the timing of the performances (in the dry season after the harvest) was one of the economic adjustments, when prominent farmers wished to show their wealth.


The satires referred to general targets, especially members of alien groups such as Muslims. More often, however they referred to specific individuals in the society. There were two favourites groups of targets women who intruded on the all male privacy of the cult and greedy, selfish or ineffective elders. The stereotypes were backed up by stylising masking, costume and props.


· Another focus of pre-colonial conflict, which performing arts helped to meditate, was that of tension between the chief's desire for centralized control and commoner's tendencies to cut themselves off from the royal palace.


Such tension can be seen in the early nineteenth-century state of Benin, where the conflict between the "pure" metropolitan Bini people, loyal to the Autocratic Oba and peripheral Ekpo community of ex-salves was expressed in the performing arts. The rituals of the Bini people centred on the semi-divine Oba who controlled the judiciary, the system of tribute, patronage and the granting of title; the theatrical elements at court constantly reintegrated the Bini people into that power nexus.


Special Effects


Masks in Africa have been part of the early theatrical traditions of both East and West. Masks helped enlarge the actors features for visibility at great distances, and they express basic emotions, such as grief, anger, horror, sadness, or pity. They helped create an altogether different presence for the actor wearing the mask. That presence can be stately, heroic, awesome, or mysterious.


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Tuesday, September 8, 2020

How does Shelley evoke a sense of horror in Chapters 4 and 5 where she describes the construction and 'birth' of the creature? Do you think she was successful in awakening thrilling horror, making the reader dread to look around, curdling the blood and qu

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Mary Shelley wrote this novel in 1816, after a nightmare, when she was just 18 years old. Mary, her husband and the poet Lord Byron were snowed in inside a villa in Switzerland. They discussed ideas of scientists, God and the powers each possesses. In the nineteenth century, science was a relatively new idea but it was very controversial, as many people felt threatened by it. They decided that science was trying to overpower religion and endeavouring to shatter all Christian beliefs about life. There were ideas about how a body came to life; Christians believed God gave it a soul, and scientists considered the body solely parts linked together. This is why Frankenstein was considered a horror story, as it explored how powerful science really was and also the dangers resulting in playing God.


Shelley uses a number of techniques throughout Chapters 4 and 5 to evoke a sense of horror, including the language that is used. Victor's personal thoughts during these Chapters, give us, as readers, an insight into the mind of a man who wants to discover the cause of life and be remembered thereafter, " A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me." (p51). Also the fact that Victor recognizes himself being in a position which is at the boundary of attained scientific knowledge, and unknown theories, which could revolutionise the way scientists thought, "I found so astonishing a power placed within my hands" (p51). We are also told what Victor intends to do, "I began the creation of a human being." (p51). These thoughts shock the readers as they probably feel that no one should try and take God's place in giving life. These would have been particularly disconcerting in the Victorian era, when the 'Religion vs. Science' battle was underway. However in Chapter 5, after the creation of his 'human being', he is filled with regret as he realizes he will not be known as the first person to create a man, but a monster.


The research that Victor carries out in order to create this being is equally frightening. The descriptions are very detailed and are certainly enough to send a shiver down the spine. We are informed of how committed Victor is to his work, he says he was, "engaged, heart and soul, in the pursuit of some discoveries which I hoped to make." (p48). We can see he was devoted to his work and determined to succeed. We also learn, "Two years passed in this manner, during which I paid no visit to Geneva." (p48) This shows that he cut himself off from family, friends and even his future wife so as to complete his experiments. We also learn that not only did he spend two years straight on this project, that he also spent day and night, without sleeping, trying to figure out the cause of life," Soon (I) became so ardent and eager that the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory." (p48). This gives readers the image of Victor being compared to a zombie, which is rather alarming how much time was spent doing immoral research and experiments. We also get another image, "The moon gazed on my midnight labours" (p5). As evil spirits are associated with night, particularly around midnight, it suggests he is evil and this almost compares him to a werewolf due to this night factor.


The mention of the moon also suggests that only the moon knows what he has done, as he used the cover of darkness, when people were asleep. We are told that the two years of research was full of mainly failures than successes, but Victor would not give up, "Sometimes on the brink of certainty, I failed; yet still I clung to the hope which the next day or next hour might realize." (p5). This shows how deep Victor's determination for success is, which in itself is frightening, as he would have to have done many immoral and revolting procedures in each failed experiment within that long time span. It also seems that Victor has failed to consider the consequences of his actions.


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"Now I was led to examine the cause and progress of this decay and forced to spend days and nights in vaults and charnel-houses" (p4). This is disturbing for the reader as the very thought of being in the presence of dead bodies is sickening, never mind watching and recording their decaying process. Victor says he was "forced" to research in tombs and rooms where bones were stored, when it is obvious he forced himself to visit them. This is an example of his own ambitions and obsession as he spent so much time in unnatural places. We also wonder how any sane person could cope being among the dead, but then Victor tells us, "a churchyard was to me merely the receptacle of bodies deprived of life." (p4), so we can conclude that he shut off all his emotions and his fear. It is rather horrific that Victor did not consider a graveyard as sacred or holy, but a place for materials, and those bodies to him were just parts and not deceased human beings. We can see that he has a lack of respect for the dead and possesses purely immoral thoughts.


In regards to the grave digging he carries out, he says, "I dabbled among the unhallowed damps of the grave" (p5).


This is a disgusting image as it suggests that Victor frantically dug into the ground with his hands in order to obtain his human materials. The word "dabbled" is usually associated with sorcery, which suggests he is evil. Victor tells us he, "…tortured the living animal to animate the lifeless clay" (p5) which gives an image of him finding other creatures like worms and he disturbed their habitat just to get body parts.


Shelley gives us a horrific, detailed description of his workshop and how he hides his work from everyone on page 5, "I collected the bones from charnel-houses… I brought my work near to a conclusion". Victor acknowledges his workshop as a "slaughter-house", "dissecting room" and "my workshop of filthy creation". The fact he calls his experimental room these names suggest he's aware what he is doing is wrong and gives various disgusting images to the reader. The slaughterhouse reference makes us think of slit throats, and therefore a visual image of blood covering the laboratory. The dissecting room reference shows that he cuts up bodies for research and this makes us feel uneasy as it suggests that body parts were lying around the room, decaying naturally, and therefore giving off a nauseating smell.


We now view a different side of Victor than was seen at the beginning of the book, when he was content and respectful. Victor tells us that throughout the two years of research, "I grew alarmed at the wreck I perceived that I had become; the energy of my purpose alone sustained me" (p54).


Throughout Chapter 4, we are given many images of pregnancy and birth, as the creation of the being is compared to being born. These images are not necessarily directly connected to the being's creation, sometimes with actions of Victor himself. Images of the baby growing inside the womb and the conception process are given by phrases such as, "Who shall conceive the horrors of my secret toil" (p5) and "I did not watch the blossom or the expanding leaves" (p5). Images of labour are given by quotes such as, "unrelaxed and breathless eagerness" making us think of giving birth and "a resistless and almost frantic impulse urged me forward" (p5), which makes us think of contractions.


The work Victor carries out is frequently referred to as labour, which suggests he considers it as painful, taxing and tiring as the labour a woman goes through. For example, "After days and nights of incredible labour and fatigue, I succeeded in discovering the cause of generation and life" (p50), "my painful labour" (p50), "inconceivable difficulty and labour" (p51) and "my labours would soon end" (p54).


We are also given images of actually giving birth, "No one can conceive the variety of feelings which bore me onwards" (p51) and "I could not tear my thoughts from my employment" (p5).


The power of pregnancy is conveyed as the being Victor brings to life is referred to a "creation", and suggests the woman is powerful as she has the ability to create a new life. This is why using all the images of pregnancy are horrific to readers as they are used in comparison with the creation process. Pregnancy is seen as a natural and wonderful experience, but in contrast Victor's creation of the being is unnatural, immoral and disturbing.


On the actual night of Victor giving the body life, the atmosphere which exists is frightening and is enough to make the reader sense something awful is going to happen as a result of Victor's ambition. We are told the date setting is "a dreary night in November" (p55) at one in the morning and that the weather was bad, "rain pattered dismally" (p55). We are also told that Victor worked almost in darkness with the exception of a "half-extinguished light" a candle. Victor later reminds us of the weather as being "dismal and wet" (p57) and when he runs out of his laboratory to avoid his creation he becomes, "drenched by the rain which fell from a black and comfortless sky." (p57).


Shelley does however leave an air of mystery as to how the creature is actually created, this is frightening as it leaves us to our own devices, and the imagination is a powerful tool which could conjure up many horrific theories as to how this deed was done. Although Shelley does suggest electricity is used in the creation process, "I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet." (p55).


The first thing the creature does when it comes to life repulses the readers and makes us feel uncomfortable, "I saw the dull yellow eye of the creature open". This suggests disease as it is yellow, and also the thought of being looked at straight in the face by this creature is fear-provoking.


We must also remember what the being actually looks like. The descriptions given, with a few exceptions, describe how a baby looks after being born. On page 55-56 Victor describes his creature's physical appearance. We are told its limbs were in proportion, that it has "watery eyes" (p55) and that its complexion was "shrivelled" (p55). Here Shelley compares the being to a new born baby, which reminds the readers how unnatural and immoral Victor's action were.


We are also told the being was "of gigantic structure" (p51) and "8 foot tall" in Chapter 4, so this is reinforced on page 55. We are informed on page 55 that "his (the being's) yellow skin scarcely covered the work of muscles and arteries beneath", that it had "lustrous" black hair, black lips, and "teeth of pearly whiteness". This description is repulsive in itself, and makes us feel disgusted and sick at the thought of gazing upon this being.


Victor calls his creation many things such as "wretch" (p56), "miserable monster" (p56), "catastrophe" (p55) and "hideous guest" (p5), which give us as readers an idea of how terrifying the creation's appearance is. He also tells us how he feels about the experience and how much he had previously considered this day to be a day that would live in infamy, "I had desired it with an ardour that far exceeded moderation" (p55) and how he wishes he'd never brought the body to life, "but now that I had finished, the beauty of the dream had vanished, and breathless horror and disgust filled my heart" (p55).


The first thing Victor does after bringing the being to life is rushing out of the laboratory, collapsing on his bed and falling into a deep sleep. During this sleep he dreams about his fiance Elizabeth, but has a premonition of her death. This is ironic as his life could be compared to a nightmare and lets the readers decide why the dream is significant.


As soon as Victor awakens from his dream, the creature is standing over him and reaches to grab him. This is a frightening image which has also been portrayed in many other horror novels and films. It is used as it makes the audience or readers feel unsettled and occasionally they would feel the need to look behind them to ensure nothing was there that could harm them. Shelley is suggesting by this image that the creation is a living nightmare from which he cannot escape and emphasises that it will always be around. We can tell that Victor himself is afraid of the creation, firstly because he calls it hideous and ugly, and secondly due to the detailed descriptions of the physical symptoms that he experiences, "I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered and every limb became convulsed" (p56). These symptoms make readers empathise with Victor and we can almost feel his fear. Victor then describes how he's feeling and the position he is in by quoting a stanza from the poem 'The Rime of the Ancient Mariner' on page 57. This shows that he cannot find the words to express himself and so must use the words of another. The line, "…a frightful fiend/ Doth close behind him tread" describes how Victor feels about the creation. He knows it will never leave him in peace and he will always have to look over his shoulder.


Victor then runs into his old friend that he hasn't seen since he started his research, Henry Clerval. This meeting takes Victor's mind off what has happened briefly as he feels "calm and serene joy" (p58) but this emphasises to us as readers how unusual what Victor did was and the fact he comes across a scientist who doesn't do anything like that, is a contrast. Also the fact he hasn't seen Clerval for two years emphasises how cut off from society and normality he has been. Shelley places the incident of Victor and Clerval immediately after the bringing to life of the creature to give the readers a break from the scary, unnatural descriptions. The tension steadily built up throughout the two Chapters and the meeting can be considered an anti-climax, but the tension re-surfaces as Victor proceeds to bring Clerval back to his apartment. Victor "trembled excessively" (p58) at the thought of his creation being in the apartment waiting for him when he returned. Victor walked back "with a quick pace" (p58) and he tells us "a cold shivering came over me" (p58). He also comments, "I dreaded to behold the monster, but I feared still more that Henry should see him" (p58) which conveys his emotions at that particular moment towards the prospect of the monster anticipating his return.


To add more tension to this moment, Victors tells us he "threw the door forcibly open…but nothing appeared." (p58-5) and he remarks, "I stepped fearfully in the apartment was empty and my bedroom was also freed from its hideous guest." (p5). This gives the readers a sigh of relief, but they know that the creature will return in some form. It also gives them an incentive to read on and they await events in Victor's future regarding the 'miserable monster' he has created.


In conclusion, I feel Mary Shelley achieved exactly what she set out to do. She wanted to write a story to "awaken thrilling horror one to make the reader dread to look around, to curdle the blood, and quicken the beatings of the heart" (p7) and with the evidence I have gathered, I feel she has done just that mainly with the use of language and her gory, terrifying descriptions of research, creation and what the creature does once it has been given life. It is a well-written and enjoyable book with a sense of horror throughout.


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Friday, September 4, 2020

Heaven in islam

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All Muslim believes in the Day of the Judgment. This world as we know it will come to an end, and the dead will rise to stand for their final and fair trial. On that day, all men and women from Adam to the last person will be resurrected from the state of death for judgment. Everything we do, say, make, intend and think are accounted for and kept in accurate records. They are brought up on the Day of Judgment. One who believes in life after death is not expected to behave against the Will of Allah. He will always bear in mind that Allah is watching all his actions and the angels are recording them. People with good records will be generously rewarded and warmly welcomed to Allahs Heaven. People with bad records will be fairly punished and cast into Hell. Allah knows the real nature of Heaven and Hell only, but Allah describes them in mans familiar terms in the Quran. If some good deeds are seen not to get full appreciation and credit in this life, they will receive full compensation and be widely acknowledged on the Day of Judgement. If some people who commit sins, neglect Allah and indulge in immoral activities, seem superficially successful and prosperous in this life, absolute justice will be done to them on the Day of Judgement.


For all the good deed that we have done, Allah has created a special place in which are stored the most beautiful things from the whole universe and things we cannot even imagine of. All this is for our pleasure and enjoyment. This place is called Heaven. Allah has stored different kinds of blessings for these faithful believers. The gate of heaven is called Rizwan.


The prophet Muhammad told us that the lowest in rank among the dwellers of Paradise will have ten times the like of this world, and he or she will have whatever he or she desires and ten times like it. If you enter Paradise, you will live a long happy life without sickness, pain, sadness, or death. God has said in the Quran


"But those who believe and do deeds of righteousness, we shall soon admit to Gardens, with rivers flowing beneath, - their eternal home. Therein shall they have companions pure and holy; We shall admit them to shades, cool and ever deepening."


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In Heaven, there are many different types of palaces and mansions made from pearls and diamonds and they will be so crystal clear that you can see through it. The walls will be made from bricks of gold and silver scented with fragrance. In Heaven, there will be four rivers, one of water, second of milk, third of honey, fourth of Sharab-e-Tahoor(a pure, holy liquid which is a mixture of many things). People will get the most delicious foods and whatever they wish will be presented in front of them.


Heaven will be free from any type of impurities, such as, dirt, human excretion, urine, and spit. When a person sweats and burps in Heaven it will be a cool, soothing fragrant. With every breath, the name of Allah will be taken and without even thinking Allah's name will be heard. The clothes for the people living in Heaven will not get smaller or old and they will stay fresh and they will not mature from their youth. There is no sleep because sleep is a kind of death and there is no death in Heaven. After living in Heaven for one week, they will be given permission to see Allah.


In the Islam lecture, Dr. Abedi's class, Heaven can be described as the ultimate happiness, peaceful, worry free, full of lie, gardens with flowing streams, paradise, beautiful, close to God, ultimate justice, bliss, harmony, joy, pleasant, rewarding, satisfaction, clean of sins and can have sex. If you drink wine in Heaven it doesn't give you a headache or any other side effects of alcohol. In Heaven you don't listen to nonsense.


Please note that this sample paper on heaven in islam is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on heaven in islam, we are here to assist you. Your persuasive essay on heaven in islam will be written from scratch, so you do not have to worry about its originality.


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Thursday, September 3, 2020

Friends

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The process of making a friend is a very unique one. It depends on the person one is trying to become friends with, it depends on ones gender, it depends on ones age, but most importantly it depends ones personality. Every individual is different and how they make friends differs just as greatly. The way I make friends depends heavily on my personality. As an introverted person, I tend to first meet potential friends through what I call forced association. After the initial meeting, I evaluate them and determine whether or not I think they should be my friend. Bonding follows and acceptance is the final stage.


Making a new friend is by definition a new and non-routine interaction, therefore it is quite difficult for me to initiate the process. This is where the situation where another person and I are placed in an environment where we have no choice but to interact with each other. The largest and most important type of forced interaction for me is school, and more specifically, classes. It is impossible to be completely separate from other students in a class. Consequently, I met all my best friends in school . Another type of situation comes when you meet a friend, of one of your friends. It would be extremely rude to not interact with someone that your friend considered to be friend. That is the way that I met a very close friend of mine . Her name is Breanna . I was not friends with Breanna when I first met her. I had to figure out who she was before that could happen.


Evaluation has always been very important to me. I constantly evaluate and reevaluate myself, my friends, my schoolwork, and so forth, almost to the point of obsession. Before I can become friends with someone, I have to determine whether or not I want to be friends with them. If ones own needs in a relationship are not met then it is impossible for them to fulfill others. The first step in evaluation is the establishment of common ground. It is very unlikely that I will become even casual friends with someone who I have nothing in common with.


One of the first things I look for is intelligence. Part of my personality is the love of intelligence. A very important part of a friendship for me is intellectual stimulation. If it is missing, the friendship will begin to fail. So intelligence and knowledge are two things I look for almost immediately in a new acquaintance. Breanna possesses both of these qualities and she possesses them in areas that we both find interesting. Both of us have an interest in the sciences. But knowledge and skills alone make a person boring, so I also look for common personality traits.


After I get to know someone and I think we should become friends, I try to spend as much time with them as possible. Mostly for the purpose of bonding but also for continued evaluation. The evaluation never really ends, it just becomes easier as I get to know them better and better. But if at any time, they fail to meet my standards for friendship, I make it clear to them, either by direct confrontation or by spending time with them less frequently. If change is not affected


then the friendship will fade away. But the main purpose of bonding is to get to know them as well as possible, and for them to get to know me as well as possible. To this end, we will frequently go out to movies, participate in after-school groups together, and basically spend time together. This not only leads to a closer relationship, it provides a set of common experiences we can both draw upon. Breanna and I ate lunch together at her house every day, went out to movies on the weekend frequently This getting to know each other, or bonding, allowed us to cement our relationship. Once that was accomplished, acceptance naturally followed. Acceptance is always the goal for me when I start a friendship. True acceptance for me only exists with my closest friends. Acceptance is the time when I can truly be myself. It is when I can say what I mean without having to worry about hurting peoples feelings or having them think less of me. This is possible because after acceptance, I know that most anything I say will not hurt my close friends and vice versa.


Acceptance is a nice break from the process of becoming friends because it is where the evaluation is almost non- existent . But acceptance is by no means easy to come by. It is unlikely that I will reach that stage with more than a handful of friends in my lifetime. I prefer to have a small group of friends that I have lengthy contact with as opposed to a large group of friends who I do not know as well. Also, once I have reached acceptance with a couple or a few friends, it is almost impossible for me to reach it with any other friends. I only have so much time to spend with people and I do not want to split it up in too many ways. Therefore I prefer to keep a few very close friends with whom I can share a deep and meaningful relationship with.


Friends are one of the things that make life worth living. Along with my family, they provide a support structure and a group that I can share happiness with. Making friends has never been, and never will be, an easy process for me. Although my process of making friends is a long and arduous one, the end result far outweighs any risks of rejection I may take.


Please note that this sample paper on friends is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on friends, we are here to assist you. Your cheap custom college paper on friends will be written from scratch, so you do not have to worry about its originality.


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Tuesday, September 1, 2020

Family History

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Family History


The idea of writing about some family-related memories appealed to me. I am an only child in a family with loving parents. Since I have no siblings, most of my memories involve my mother, a very important person in my life.


My childhood was filled with my mother's care, love, and attention. She always tried to give me a many-sided education. Knowing that reading wasn't quite my favorite pastime, for my eighth birthday she gave me a thick book, called "The Prince and the Peasant". We read the first chapter aloud, together. Her criticism, and intriguing intonations fascinated and interested me so much, that I gladly read the whole book. Since then, reading became one of my favorite hobbies.


My mother also supported my interest in music when I was twelve. She always was around to pay attention, and to help me learn to play the piano. At the time, my father attended the University, and it was hard for us to afford music-lessons, but my mother found ways to pay for it. She made up the grateful audience to all of my newly-learned pieces. Even if I wasn't very good at it, she always supported me, and assured me that I would succeed. She always attended concerts given for parents, at the music school, and she would always applaud me when I finished playing my piece.


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Every summer, my parents and I, would go on vacation to the Carpathian Mountains in Ukraine. Since I wasn't very healthy as a child, my mother tried to help me feel better, by taking holistic medicine, such as certain herbs and mineral water. Our whole family stayed in a sanitarium. From there, we often ventured to local rivers, lakes, and mountain streams, gathering medicinal herbs, and watching the sunset. I find remembering these outings, and the nature very pleasing. The medicinal knowledge I received there about holistic medicine, often helps me find a cure when I am sick.


My mother taught me how to socialize with different people: at work, or with friends. She often told me about what she did at work, and what went on. She would tell me of dialogues that she had with her bosses, how other people conversed with their boss, and what would be the right thing to say in the situation. Still she often gives me advice on solving my problems.


Of course we did have some disagreements. I remember, when I was about fifteen, I used to love spending all my free time outside, hanging out with my friends. My mother didn't always favor that, and often we argued because she thought I didn't spend any time with her. I would often lose track of time, and sit outside with my friends until nighttime, and she would often come outside to get me. This would always upset me, and we would have a long fight about each time, it as soon as I got home. At about twenty years old, I realized how strange her character was, not able to withstand opposition. Most of our disagreements, however, occurred due to minor causes. Whenever I came home tired, from work in need of some rest, she would always urge me right away to clean up, or to go grocery shopping, telling me not to be lazy. Personally, at those times I had no will to even move, more so to go grocery shopping. Even now we often have arguments, but we settle them quickly, because we can't live very long without each other. I often let her win at arguments, knowing that she only wants what's good for me, and that she won't back down anyway.


Seven years ago, I moved to the US. The distance between us only reminds me of how much I miss being with my mother, her kindness, her care, and her support. I try to call every week, and to hear her voice. And if she's not home, then to just leave a message – to remind her that I miss her.


Please note that this sample paper on Family History is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Family History, we are here to assist you. Your persuasive essay on Family History will be written from scratch, so you do not have to worry about its originality.


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