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Tuesday, November 24, 2020

WHAT IS WOOD?

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Accessible, light, easily worked and replaceable, wood is an essential element of basic survivalthe weapon, shelter and fuel. Wood is a hard, fibrous substance also known as xylem, which is the principal strengthening and water-conducting tissue found in the stems and roots of many plants, including trees and shrubs. The versatility of wood is basically attributable to its structure, chemical composition, and properties. Produced by many botanical species, it is available in various colours and grain patterns.


In contemporary times, in spite of technological advancement and competition from metals, plastics, cement, and other materials, wood maintains a place in most of its traditional roles, and its serviceability is expanding through new uses with the result that its consumption is steadily increasing. The long list of present wood uses includes products in which its natural texture is retained and others in which the wood is mechanically and chemically modified to the extent that its presence cannot be recognized. In addition to well-known products, such as lumber, furniture, and plywood, wood is the raw material for wood-based panels, for pulp and paper, and many other products, especially chemical derivatives of cellulose and lignin. Finally, wood is still an important fuel in much of the world.


The principal compound in cell walls is cellulose. Its molecules are linear chains of glucose, which may reach four microns in length. Orderly arrangement of cellulose molecules in fibrils (micelles) accounts for its crystalline properties. Noncellulosic constituents (hemicelluloses, lignin, and pectin) encrust the matrix among fibrils. Some hemicelluloses appear to serve as an important cross-link between the noncellulosic polymer8 and cellulose. Lignin is a complex substance that imparts rigidity to ceil walls. Pectins are important constituents of the layer between cell walls (middle lamella).


Cellulose and the other chemical constituents are contained in wood in the following proportions (in percent of the oven-dry weight of wood) cellulose 40-45 percent (about the same in gymnosperms and dicotyledonous angiosperms); hemicelluloses 0 percent i gymnosperms and 15-5 percent in angiosperms; lignin 5-5 percent in gymnosperms and 17-5 percent in angiosperms; and pectic substances in very small proportion. In addition, wood contains extractives (gums, fats, resins, waxes, sugars, oils, starches alkaloids, tannins) in various amounts (usually 1-10 percent, sometimes 0 percent or more). Extractives are not structural components but are deposited in cell cavities and intercellular spaces and may be removed (extracted) without change of wood structure. Most mechanical properties of wood are closely correlated to density and specific gravity. It is possible to learn more about the nature of a wood sample by determining its specific gravity than by any other simple measurement.


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Density is the weight or mass of a unit volume of wood, and specific gravity is the ratio of the density of wood to that of water. Determination of the density of wood in relation to that of other materials is difficult because wood is hygroscopic, and both its weight and volume are greatly influenced by moisture content. In order to obtain comparable figures, weight and volume are determined at specified moisture contents. The standards are oven-dry weight (practically zero moisture content) and either oven-dry or green volume (moisture content above fiber saturation point, which averages about 0 percent).


PROPERTIES OF WOOD


MECHANICAL PROPERTIES


The mechanical or strength properties of wood measure its ability to resist applied forces that might tend to change its shape and size. Resistance to such forces depends on the magnitude and manner of application of the force. It also depends on various characteristics of the wood, such as moisture content and density. The term strength is often used in a general sense to refer to ail mechanical properties. The mechanical properties of wood include strength in tension and compression (axial and transverse), shear, cleavage, hardness, static bending, and shock (impact bending, toughness). Respective tests determine stresses per unit of loaded area (at elastic limit and maximum load) and other criteria of strength, such as modulus of elasticity (a criterion of stiffness), modulus of rupture (bending strength), elastic resilience, and toughness.


THERMAL PROPERTIES


Although wood expands and contracts with varying Temperature, these dimensional changes are small in comparison to the shrinkage and swelling caused by variation of moisture content. In most cases expansion and contraction are negligible and without practical importance; only temperatures below 0° C, (° F) may cause surface checks, and in living trees, unequal contraction of outer and inner layers may result in frost cracks.


PHYSICAL PROPERTIES


Familiarity with most kinds of wood makes it possible to identify them by their appearance. Some woods such as black walnut can he identified by their color others can be distinguished by their, odor. Many woods have a pronounced difference in color between sapwood and heartwood, whereas in others there is difference in color exposed to fire. In addition, the low heat conductivity of wood (high insulating value) makes it desirable for building construction. Heat conductivity is about two to two and a half times greater axially than transversely and increases with density and moisture content.


Colour This varies from the white of a holly tree to the red in redwood or black of an ebony.


Odour This is due to certain Chemical deposition the heartwood when it is more pronounced than sapwood.


Grain This is the direction of the wood fibers i.e. the alignment of the cells w.r.t. the axis of a tree. It can be described as cross, straight, interlocked, spiral curly, or wavy.


Texture This refers to the size of the cells in the wood & their proportion in unit volume; or simply, it is the uniformity of a woods surface. Texture can be fine (e.g. boxwood & sandalwood) or coarse (e.g. teak & sal).


Weight this depends on the density & hygroscopicity of the wood.


Density & specific gravity this is the weight or mass of a unit volume of wood, & specific. Gravity is the ratio of the density of wood to that of water. Differences in these quantities occur due to different proportions of wood substance (excluding the volume of cell humans & wall spaces) & the content of extractives.


Hygroscopicity wood is hygroscopic i.e. it exhibits on affinity for water and can absorb moisture. This Property varies among different species. The moisture content of cell walls varies from 0 to 5%. Hygroscopicity is of primary importance because all wood properties such as shrinkage, swelling, hardness, strength, heat producing capacity & resistance to decay depend on it.


Shrinkage and Swelling wood is subject to dimensional changes depending on its moisture content fluctuations. Shrinkage of the wood, proceeding that of the cell wall, occurs as moisture escapes from the wood structure & results in the molecules moving closer together. Swelling is just the reverse. These dimensional changes are anisotropic i.e. different in axial, radial & tangential directions. They may result in change of shape. Checking (cracks formation) warping, case hardening (release of stresses in resawing), honey combing & collapse.


ELECTRICAL PROPERTIES


Very dry wood is an excellent insulator But electrical conductivity increases with an increase in moisture content. Wood also acts as a dielectric i.e. although a non-conductor, it sustain the force of an electric field passing through it. Wood also exhibits the piezo electric effect i.e. electric polarization under mechanical shares & strain, in an electric field.


ACOUSTIC PROPERTIES


Wood can also produce sound by direct striking & can amplify or absorb sound waves originated from other bodies. The pitch of the sounds increases with larger dimension, lower moisture contents & higher density & elasticity.


TYPES OF WOOD


HARDWOOD


Timber obtained from angiospermous, or flower-bearing, trees that have broad leaves. Hardwood trees are deciduous, except in the warmest regions, and shed their leaves at the end of each growing season. Hardwood is the source of about 0 percent of the worlds production of lumber. The term hardwood is a classification of material, known originally from such hard European woods as beech and oak but actually including both the hardest and the softest of woods available. Many beautiful hardwoods include cabinet timbers such as American black walnut, oak, elm, yew, rosewood, teak, ebony, primavera, maple, satinwood, greenheart, and various mahoganies.


COTTON WOOD


Cottonwood includes several species of the genus populous. Most important are eastern cottonwoods, also known as Carolina Poplar and white wood, swamp cottonwood and black cottonwood. The heartwood of the three cotton woods, eastern, black, and swamp, is grayish white to light brown. The wood is comparatively uniform in texture, and generally straight grained. It is odorless when well seasoned. Cottonwood is used principally for lumber, veneer, pulpwood, and fuel.


MAPLE


Commercial species of maple include sugar maple, black maple, silver maple, red maple, boxelder, and big leaf maple. The sapwood of the maples is commonly white with a slight reddish-brown, tinge. Maple wood has a fine, uniform texture. It is heavy, strong, hard, stiff and resistant to shock and has large shrinkage. Maple is used principally for (lumber, veneer, crossties, distillation wood and pulpwood. A large portion is manufactured into flooring, furniture, boxes, and crates, Shoe lasts, handles, woodenware, novelties etc.


ASPEN


The heartwood of Aspen is grayish white to light grayish Drown. The sapwood is lighter colored and generally merges gradually into heartwood without being clearly marked. Aspen wood is usually straight grained with a fine, uniform texture. It is easily worked. This type of wood is lightweight and soft. It is low in strength, moderately stiff, moderately low in resistance to shock, and has a moderately high shrinkage.


ASH


Ash, black ash and Oregon Ash.


Commercial white ash is a group of species that consists mostly of white Ash and green ash. Blue Ash is also included in this group. White ash is particularly sought because of the Inherent qualities of this wood; it is heavy, strong, hard. Stiff, and is high resistance to shock. Because of these qualities, such tough Ash is used particularly for handles oars vehicle parts, and sporting goods.


Oregon ash has on the other hand somewhat lower strength properties, but is generally used for the same purposes.


The wood of black Ash runs considerably lighter in weight than that of white ash, and therefore, is sold as cabinet Ash, and is suitable for storage, furniture and shipping containers.


Hardwoods can be classified as


Deciduous Hardwoods


These trees lose their leaves in winter. They grow in warmer temperate climate (including the British Isles, Europe, Japan, New Zealand, Chile and Central America), and are slow growing and expensive.


Evergreen hardwoods


These trees keep their leaves all year round, and therefore grow more quickly and to a greater size. They are usually softer and easier to work with than deciduous hardwoods. The grow mainly in tropical and sub-tropical climates (including most of South America, Central America, India, China, Africa, Burma, India and East and West Indies).


SOFT WOODS


Soft Woods include firs, pines, spruce, and all conifirous timbers. They are characterized by distinct annual rings, but indistinct medullary rays, (groups of horizontally arranged cells radiation from the center towards the barks). Their traits also include light colour, straight fibbers, long steins of uniform section, long & narrow pointed leaves, exudation of issuing and mostly turpentine as well. soft woods are very strong for direct pull, but are weak in resisting thrust or shear.


Examples of softwoods (found mainly in India & Pakistan) are


CHIR


Himalayan softwood; easy to work; liable to surface and cracking unless protected against too rapid drying.


DEODAR


Has a natural preventative; light, moderately strong, easy to season & work; retains its shape well.


MANGO


Moderately staring; general utility wood; easy to season but liable to stain if not dived quickly; easy to work; & keeps its shape well.


WORKING WITH WOOD


Woodworking is defined as the process of constructing, or working with articles of wood, as in carpentry, joinery, cabinet making, and engraving. The different techniques include


WHITTLING


Woodworking techniques begin with the simple one of whittling. This is the using of a knife to cut away extra wood to achieve a form required by the craftsman.


TURNING


This is the fashioning of a piece of wood with a chisel while the wood is rotated on a lathe, much like the potters wheel. Most round forms such as the legs and arms of tables and chairs are formed in this way.


WOOD CARVING


The designing and decoration on a piece of furniture done by craftsmen using tools is the art of carving.


WOOD CUTS


In this process the artist cuts away the wood along the grain, leaving lines which when inked, will make the print in relief.


WOOD ENGRAVING


This process is similar to wood cuts, except instead of being done on a wood block cut out with the grain it is done cutting across the grain.


WOOD SCULPTURE


As wood is more perishable very few examples of early wood sculptures remain. The sculptor working on the piece of wood must carry a mental image or drawings of the finished product in three dimensions. The block to be worked on must first be marked out with chalk before the artist starts cutting away wood using a lot of different techniques.


WAYS OF JOINING WOOD.


The object of the joint is to fix two members together so that the joint has the greatest possible mechanical strength and is as unobtrusive as possible. Though there are many joints in use, they fall into a few basic groups, many being variations and elaborations of fundamentally simple ideas. Practically all are based on handwork, and with few exceptions most machine-made joints follow the traditional patterns; most joints rely to a considerable extent on a combination of mechanical fit and glue for their strength


GLUING OF WOOD AND MECHANICALLY FASTENING OF WOOD


Generally there are two ways of joining wood, gluing and fastening. Technically fastenings are considered to be more reliable than that of the glue. Of mechanical means of fastening, screws are the best, though a good joiner would pride himself in being able to make most things without a single screw in It. They are used for concealed fixings, for work which may have to be taken apart. Smaller nails, such as panel pins, are used for fixing small members, such as moldings, and sheet materials, like plywood. Their narrow heads are to be punched and puttied over. The joiner except for fixing lower- quality work does not use longer nails. Thus fastening can be done in a number of ways, such as with nails, spikes, screws, bolts, lag screws, drift pins, etc.


NAILS


Nails are the most common mechanical fastenings used in temporary and permanent constructions. There are many types, sizes, and forms of standard nail, and in addition many special-purpose nails. In general, nails have stronger joints when driven into the side grain than into the end grain of wood. Also nails should be preferably be used so that their literal resistance, rather than direct withdrawal resistance, is utilized.


SPIKES


Common wire spikes are manufactured in the same manner as common wire nails. They have either a chisel point or a diamond point and are made in length of 7 to inches; they have larger diameters than the common wire nails. The allowable withdrawal and lateral resistance formulas and limitations given for common wire• nails are also applicable to spikes, except that in calculating the withdrawal load of spikes, the depth of penetration should be reduced by two- thirds the length of the point.


DRIFT BOLTS


Drift bolts are driven into prebored holes of diameters 1/8th inches less than that of the bolts. The allowable load for a drift bolt in lateral resistance should not exceed that for an ordinary bolt of the same dimension. The drift bolts should be of greater length than the common bolt to make up for the lack of washes & nut.


WOOD SCREWS


The common types of wood screws have flat, oval, or round heads, their principal parts also include the shank, thread & core. Flat head screws are used if a flush surface is desired inheres oval & round head screws are used for appearance.


LAG SCREWS


These are used because they are highly convenient especially whose bolts are difficult to fasten & nuts on the surface are objectionable lag screws range from about 0, to 1 inch in diameter & to 16 inches in length.


CONNECTOR JOINT


Timbers can be joined by metal or other types of connectors. These types include split-ring, soothed, shear plate, bulldog, claw plate, circular spike, & kubler wood-dowel connectors. The latter was originally made of cast iron but now of oak & is very satisfactory


CROSS BOLTS


Cross bolts placed at or near the end of timbers joined with connectors or at intermediate panel point will provide additional safety. They may also be used to reinforce members that have, through change in moisture content in service, developed checks to an undesirable degree.


SPECIAL FASTENERS


Wood workers use a variety of metal fasteners besides nails and screws. All kinds of special bolts, screws, hooks, plates, and braces are used to fasten objects together. Many of the fasteners are designed for use with metals. Many of special fasteners used by wood workers are briefly described here.


CARRIAGE BOLTS


They have oval heads and are square just below the heads. The square part sinks into the wood thereby preventing turning once the bolt is set in the hole. These bolts are used in rough construction and for joints that do not show.


SHEET METAL SCREWS


Sheet metal screws, or tapping screws are threaded the full length of the screw. They are used to attach materials such as plastic and sheet metal to wood. They are especially handy when attaching thin pieces.


CORRUGATED FASTENERS


They are used when appearance is not a factor. They provide a quick way of joining stock. They will not make strong joints. They are staggered and driven at an angle to the grain.


MENDING PLATES


These are flat pieces of steel. They come in several shapes And Sizes. Mending plates are used to reinforce and repair broken and weakened joints. They are usually used in places where they will not show.


ADVANTAGES OF JOINTS


1n the wood working process, the importance of joints cannot be denied. In fact it is almost impossible to work with wood without a proper command on joint- making. Moreover, the joints used are of various kinds; the application of a joint in the production of something is decided keeping in view the requirements and purpose of the product.


The Dowelled joint for instance, is a very strong and easily by machine. To ensure the true alignment, a tongue is an advantage, and this necessitates a double row of dowels, which gives the greatest strength. No end grain is exposed as with an ordinary tenon. The dowels, and less timber is used than for a tenon joint.


The combed joint is essentially a glued joint. The glue must take the whole of the stress; so the larger the area of glued sauces the better. Three glue surfaces are most common, but more can be made it the section is thick enough for each tenon to be of workable thickness.


The combed joint does not hold itself in position while glue is setting. Clamping has to be arranged so that the parts are held in their true positioning.


WOOD DESTROYING AGENTS


MOLDS AND STAINS


Molds and stains are confined largely to sapwood and are of various colors. Little direct staining of the wood is caused by molds, since the discoloring caused by them is largely superficial and is due far the most part to cottony or powdery surface growths. Which vary from white or light colors to black. Such blemishes often are easily brushed or surfaced off.


Stains penetrate into the sapwood and cannot be removed by surfacing. The discoloring of the wood occurs as specks, spots, streaks, or patches of varying intensities of color. The so-called °blue stains, which vary from bluish to bluish black and brown, are the most common although various shades of yellow, orange, purple and red are sometimes encountered. The exact color ot the stain depends on the infecting organisms and the species and moisture condition of the wood.


INSECTS


The worst of these are termites, popularly called 'white ants'. The insects live in a colony, each colony having a queen, much larger in size, which alone lays millions of eggs during her lifetime of about ten years.


WOOD-BORING BEETLE


This beetle is capable of biting holes into the wood the larva is directly responsible for the damage brought about by its endless tunneling while it feeds on the wood substance, leading to the eventual collapse of the wood structure.


Then there are wood wasps much less harmful, the larvae of which bore tunnels in the dead wood of Deodar, Spruce and Fir, extending for several inches.


MARINE BORERS


There are two types of these; one popularly called 'Teredo navalis', these do not actually feed on the wood but bore tunnels into it for shelter from their enemies. The other species called 'Limnoria' feed on wood and in a short time, wood becomes honey-combed with tunnels, and ultimately collapse.


USES OF TIMBER


Wood and its products have a huge variety of uses all over the world. Some products are used directly but most wood products serve as intermediate materials that undergo processing and are manufactured into final products or structures.


ROUND WOOD PRODUCTS


Poles , posts and certain mine timbers are products in round forms. Poles are used in telecommunication lines e.g. telegraphs, telephones, or as pilings i.e. foundations for buildings, and posts are used in fences highway guards and various supports.


SAWN WOOD


The main sawn wood product is lumber. It is used for heavy construction. Railroad ties are also made by sawing. This lumber is the product of the sawmill and is produced in varying sizes from logs.


VENEER


This is a thin sheet of wood that is uniform in thickness. Veneers are used primarily for plywood and furniture but are also used in toys, containers, matches, battery separations etc.


PLYWOOD AND LAMINATED WOOD CONSTRUCTIONS


These are glued wood products. Plywood is panel product manufactured by glueing together veneers to both sides of a single veneer or solid wood. In addition to flat panels, plywood is manufactured in curved form used for boats, furniture etc.


Laminated wood is used in beams, columns and arches for buildings, boat keels, aircraft carrier deckings, helicopter propellers and mine sweepers.


PARTICLE BORAD


This is manufactured from particles of wood glued together. It contributes to greater wood utilization by permitting the use of residues of other wood using industries and of harvesting operations in forests.


FIBER BOARD


This is made of fibers of wood. It serves in building constructions, exterior siding, interior finishing and shelves, furniture, ship-building, automobile manufacture, refrigeration cars, toys and concrete framework.


PULP AND PAPER


Wood is the main source of pulp and paper which serve million of purposes.


MECHANICALLY DERIVED PRODUCTS


Some of the principal applications of wood include agricultural tools, aircrafts, baseball bats, baskets blinds, blackboards, cloths pins, crates, fishing roads, golf clubs, handles, ice cream spoons, ironing boards, ladders, oars, pallets, pencils, picture frames, rules, skies and sleighs, scientific instruments, tanks, tennis rackets, toothpicks and many others.


CHEMICALLY DERIVED PRODUCTS


These include acetic acid, acetone, cellophane, cellulose acetate, charcoal, dyestuffs, explosives, lacquers, methanol, molasses, oils, paper products, photo graphic films, plastics, rayons, sugars, synthetic spongestar, turpentine and yeast etc. Wood has also been used as a fuel for long periods.


WHAT IS METAL ?


Metals are usually crystalline solids, which constitute almost 75% of all chemical elements found in nature. Mostly, they have simple crystal structures distinguished by a close packing of atoms and a high degree of symmetry. The art and science of extracting metals from their ores and modifying the metals for use, is known as metallurgy.


The most abundant varieties in the Earths crust are aluminum, iron, calcium, sodium, potassium, and magnesium. The vast majority of metals are found in ores (mineral-bearing substances~, but a few such as copper, gold, platinum, and silver frequently occur in the free state because they do not readily react with other elements.


PROPERTIES OF METAL


• High density and melting point.


• Malleable and ductile (i.e. can be drawn into wire).


• Thermal conductivity.


• Electric conductivity.


• Lustrous (when polished).


• Sonorous (i.e. can be beaten into sheets).


• High tensile strength.


MANUFACTURE OF METALS


Most metals are found as minerals (compounds of the metal mixed with earthy material (gangue). The mixture is called an ore. Metals can bee manufactured from their sources e.g. sulphides, oxides, nitrates, chlorides, suppurates etc. By electrolysis or reduction. The ore is concentrated after mining to eliminate worthless materials as possible. One of the most important methods for concentrating sulphide ores is known as the ore flotation process.


In this process the finally pulverized ore is mixed with water, to which one or more chemical frothing agents are added. When air is blown into the mixture froth is produced and the earthy material is wetted and sinks. The sulphide ore particles, however, rise to the surface in the froth, where there can be skimmed off the surface. After the addition of acids to break up the froth, the concentrated ore is filtered and dried.


The metal is then manufactured in the following way


ROASTING OF THE ORE


In this process the concentrated ore is heated in a controlled amount of air. The purpose of this operation might be


1. To convert the sulphide ore into its oxide prior to reduction of the oxide to the metal itself. At this stage impurities such as arsenic are driven off.


. To covert the sulphide ore partially into its oxide, which is then reduced to the metal by further reaction with the sulphide ore.


SINTERING


This involves heating the material until partial fusion occurs and larger, more easily handled material is obtained.


SMELTING


This involves the reduction f the ore to the molten metal at a high temperature. Substances called fluxes are added, their function being to combine with the gangue to forma liquid slag that floats on the surface of the molten metal.


REFINING


The purpose of refining metals is to make them as puree as is necessary. Numerous techniques include the following


• Electrolytic refining


Electrolytes can be used to purify metals e.g. copper is purified electrolytically by making the impure copper the anode of an electrolytic cell, which contains an electrolyte of copper sulphate solution and a thin strip of pure copper as the cathode. By the appropriate choice of voltage, pure copper is transferred from the anode to the cathode.


• Zone-refining


This method is applied on a very small scale to produce metals and some non--metals in an extremely high degree of purity. The method depends upon the principle that an impure molten metal will deposit puree crystals on solidifying. The metal, in the form of a rod, is melted over a very narrow region at one end; this molten region is transferred from one end of the rod to the other by slowly moving a furnace. Impurities collect in the molten region and are swept to one end of the metal.


TYPES OF METALS


SODIUM


• Physical properties


The metal is soft and silvery coloured it is an extremely good conductor of heat and electricity and less dense than water. because it rapidly transits and loses its slivery appearance in air, it is generally stored under oil.


• Chemical Properties


The metal is very reactive; sodium reacts with water with increasing vigor.


Na(s) + H O(1) ------------ Na + OH (aq) +H(g)


It reacts with a variety of non-metals when heated to give oxides sulphides, hydrides, etc. e.g.


Na(s) + S(s) ---------------(Na+) Sa (s)


(Lithium alone reacts with nitrogen to give the nitride (Li+)N-, since both the lithium and nitrogen atoms are very small and the resulting nitride has a very compact structure with a high lattice energy).


The metal burns in a steam of hydrogen chlorideand reacts with ammonia when heated e.g.


Na(s) + HCI(g) ------------ Na+CI-(s) + H(g)


Na(s) + NH(g) ----------- Na+NH-(s) + H(g)


CALCIUM


• Physical properties


The metal is very hard. Ti is a good conductor of heat and electricity. When pure it is silvery coloured, but quickly transits on exposure to air because an oxide film covers its surface. It has a high melting & boiling Pt).



• Chemical Properties


The metal is very reactive. It decomposes water with increasing vigor to give the hydroxide and hydrogen e.g.


Ca(s) + HO(1) ------------- Ca+(OH)-)(aq)/s) +H(g)


At a suitable temperature it combines with a variety of non-metals to give oxides, sulphides,halides nitrides; and hydrides.


Ca(s) + H(g) ----------- Ca+(H-)(s)


With dilute hydrochloric and dilute sulphuric acids it gives a saltand hydrogen e.g.


Ca(s) + H+C1-(aq) ------------ Ca+(C1-)(aq)+H(g)


ALUMINUM


Aluminum is a light metal possessing considerable strength, yet is malleable and ductile. It isnot very reactive because normally there is a very thin oxidelayer on its surface. Whenthis oxide layer is removedby rubbing with mercury,the metal reacts rapidly with moisture in the air, forming a moss-like growth of aluminum hydroxide, and becomes very hot in the process.


It combines directly with oxygen, sulphur, nitrogen and the halogens when heated to a sufficiently high temperature.


Aluminum reacts with moderately concentrated hydrochloric acid to give the chloride and hydrogen. The pure metal is not readily attacked by dilute sulphuric acid, but with concentrated HSo4 it gives the sulphate and sulphur dioxide. It is made passive by nitric acid and this has been attributed to the formation of an impenetrable oxide layer on its surface. It is attacked by sodium hydroxide solution with the liberation of hydrogen.


A1(s)+OH-(aq) + 6HO(1) -------- A1 (OH)4 (aq) + H (g)


IRON


Pure iron is a silvery coloured metal with a melting point of 155 C. It is easily magnetized when placed inside a coil carrying an electric current, but loses its magnetism when the current is switched off. A number of non-metals combine with it on heating, e.g. oxygen, the halogens, nitrogen, sulphur and carbon; iron filings burn in oxygen with a shower of bright sparks forming iron (III) oxide, FeO, but in the massive form iron is coated with a layer of magnetic oxide of iron, FeO4. Pure iron does not action of dry air or air-free water; however the combined action of air and water results in the formation of rust, essentially hydrated iron (III) oxide. At red heat iron is attacked by steam with the formation of magnetic oxide of iron and hydrogen. Dilute non-oxiding acids such as sulphuric and hydrochloric acids attack iron, with the formation of iron (II) ions, Fe+ (aq), and hydrogen; in the presence of air the iron (II) ions are slowly oxidized to iron (III) ions, Fe+(aq), concentrated nitric acid renders the metal passive. Impure irons such as wrought iron & cast iron are also very useful.


COPPER


Copper has a melting point of 108 C and a density of 8.4 g cm-. It is an attractive golden coloured metal, being very malleable and ductile. The metal is slowly attacked by moist air and its surface gradually becomes covered with an attractive green layer of basic copper carbonate. At about 00 C it is attacked by air and a black coating of copper (II) oxide forms on its surface; at a temperature of about 1000 C copper (I) oxide is formed instead. Copper is also attacked by sulphur vapour, with the formation of copper (I) sulphide, and by the halogens which form the copper (II) halide.


The metal is not attacked by water or steam and dilute non-oxidising acids such as dilute hydrochloric and dilute sulphuric acid are without effect in the absence of an oxidising agent. Boiling concentrated hydrochloric acid attached the metal, with the evolution of hydrogen.


Hot concentrated sulphuric acid attacks the metal and so too does dilute and concentrated nitric acid.


Cu(s) + HSO4(1) ------------- CuSO4(s) +HO(1) + SO(g)


Cu(s) + 8HNO(aq) ----------- Cu(NO)(aq) +4HO(1)+NO(g)


USES OF COPPER


Copper is used for the windings of dynamos and for conveying electrical power, it's a useful metal for the construction of condensers for chemical plants and car radiators. Finely divided copper is used as an industrial catalyst.


SILVER


Silver has a melting point of 61 C and a density of 10.5 g cm . It is a white lustrous metal and is very malleable and ductile; it is the best conductor known. The metal is resistant to attack by air and mositure, although the presence of hydrogen sulphide results in the black stain of silver sulphide. Steam and dilute non-axidising acids are without effect on the metal; however, it is attacked by hot concentrated sulphuric acid and cold dilute nitric acid, with the formation of silver (I), Ag+(aq), ions.


Ag(s) + HSO4(1) ------- AgSO4(s) + SO(g) + HO(1)


Ag(s) + 4HNO(aq) ------- AgNO(aq) + HO(1) + NO(g)


USES OF SILVER


Concentrated nitric acid produces mainly nitrogen dioxide. Silver is still used in coinage as an alloy with copper. Large quantities are also used for the manufacture of tableware and jewelry. The deposition of silver on cheaper articles is carried out to produce silverplated cutlery.


GOLD


Gold has a melting point of 106 C and density of 1. g cm-. It is extremely malleable and ductile, e.g. it can be beaten into sheets no thicker than 0.000 01 mm and pulled into wire of extremely small diameter; its thermal and electrical conductivities are very high. The metal is one of the most unreactive elements; it is not attacked by air, water or steam, and the common mineral acids leave the metal untouched.


USES OF GOLD


In view of its lack of chemical reactivity and its attractive bright yellow colour, gold is used in the manufacture of jewelry. Gold is sold by the carat. Cheaper articles are made by plating copper alloys with gold, using an electrolytic process.


ALLOYS OF METALS


An alloy is a substance prepared by adding other metals or non-metalsto a basic metal, so as to obtain certain desirable qualities. Thus it can be considered as a uniform mixture of two or more metallic elements.


Some Common alloys of metals include brass, bronze, duralumin, steel and stainless steel.


BRASS


This is an alloy copper (60 8%) and zinc 0-40%. It is stronger to more malleable than copper. It has greater workability due to a lower melting point and an attractive appearance.


BRONZE


This contains copper (0-5%), and tin (5-10%). It is very strong, and resistant to chemical attack. It is also very shiny in appearance.


Bronze is used to make coins, medals, and sculptures.


DURALUMIN


This contains aluminum (0-5%), copper (-5) and magnesium (-5%) and carbon (0.15 1.5%). Steel is more malleable and ductile than iron. It is much harder and stronger & can withstand great stress & strain.


Steel is used in the construction of ships, cars, bridges to machinery.


STAINLESS STEEL


This is a mixture of iron (0-5%), and chromium & nickel (5-10%). It is very hard & resistant to corrosion. Has a very lustrous appearance. Stainless steel is used to make cutlery, Tools & surgical instruments.


TECHNIQUES OF METAL WORK


The techniques of working metal developed very slowly and for long only in connection with the progress of metallurgy itself the mining of a mass of metal from the earth. Scholarly opinion now holds that the first steps were taken after the adoption of settled ways of life-represented by agriculture and stock breeding-in northeastern Iran, the first area in which this occurred. In this area were native copper, metal-bearing rocks, malachite, and abundant timber, which allowed a steady progress of discoveries to be made. The Iranians learned the essentials of metalworking by using native copper variations of the techniques were applied to other metals as they were recognized. A diffusionist theory is now generally accepted The techniques were developed in northeastern Iran, but the products, and possibly also the producers, gradually were carried by trade and emigration to other areas. They went to the valley civilizations of Mesopotamia, across western Persia and through the east Mediterranean littoral to Egypt, across North Africa, and on into Spain. A second route lay from western Iran into Anatolia and then across the Hellespont to Europe. This diffusion began in about the 5th millennium BC and was continued for over 000 years.


EARLY TECHNIQUES


The earliest metalworking was of copper, perhaps as early as the th millennium. Using small nuggets of native copper picked up in streams or from the ground. These nuggets were presumably at first considered a special kind of attractively colored stone, and by grinding and beating-methods already used for working stones, flints, and obsidian-they could be shaped into ornaments.


ANNEALING


The newt step was the discovery, about 5000 BC that these special stones could be worked on with repeated hammering if the mass was heated to a full red color and cooled from time to time, and that this kept the metal soft and workable. Ordinary wood fires produced sufficient heat for this process, called annealing. Repeated hammering without annealing will cause the metal to become too hard and brittle, with resultant jagged tracks.


SMELTING


The next discovery came after the development of the closed two-chamber pottery kiln, which produced a far greater heat than the open fires adequate for the earlier low-fired pottery. This took place probably before 4000 BC and led, after some 500 years or so, to the smelting first of small pieces of native copper, malachite (which under certain conditions will render into copper), and finally large amounts of copper ores, in furnaces that initially resembled the two-chamber pottery kilns. It was not until copper ores were smelted that any significant increase in the supply of copper and copper products could take place.


CASTINGS


Most metals are produced by melting and casting in molds. The mould may be shaped and dimensioned to the final size or it may simply be a prism which is intended for further processing. When intended for turther processing the metal will solidify in a rather coarse grain structure and will contain a number of casting defects such as porosity, shrinkage and cavities.


HOT WORKING


The working of metals and alloys depends upon plasticity. They can be heavily deformed, especially in compression, without breaking. For steel structural members the most usual method is by hot rolling between shaped rolls at temperatures around 1000 C. after rolling, the members are left to cool naturally and, during this process, a heavy film or iron oxide develops. Thus steel sections deliverd as rolled end to be shot blasted or sand blasted before receiving any protective coating.


Many familiar articles, e.g. crankshafts, are forged into shape.this involves placing a hot blank into one half of a shaped mould and then impressing the other half of the mould on to the blank. This is generally done under impact using such methods as drop forging, die stamping etc.


COLD WORKING.


Because of their ductility many metals and alloys can be bold worked, that is to say, shaped at temperatures below the recrystallization temperature. This create an immense number of dislocations and the metal becomes harder and its yield point is raised. Metal sheets area shaped into cups, bowls or motor car parts by deep drawing or stretch forming.


JOINING


Although adhesive bonding may be used for joining metals, the ecumenist methods are welding, brazing, soldering or inserting metal pins such as rivers and bolts.


BRAZING AND SOLDERING


Both processes involve jointing by means of a thin film of a material which has a lower melting point than that of the parent material and which, whenmelted, flows into the joint, oftenby capillary action, to form a thin film. A good brazed or soldered joint should have a strength which is not too different from that of the parent material.


PINNING


For some materials (such as cast iron and wrought iron) bolting or rivetingare the only possible ways of making joints. Both rely on friction-the tightened bolt forces the two members together and the friction between nut and bolt at the threads holds it in place. In riveting, the hot rivet is hammered into prepared holes. As it cools it contracts and develops a tensile stress which effectively lochs the members together. High strength friction grip (HSFG) bolts used in structural steelworks combine both aspects the bolt is prestressed to a given level and this tensile prestress acts in the same way as does the tensile stress in a river.


WELDING


The welding technique᠐, which involved inter-layering relatively soft and tough iron with high-carbon material, followed by hammer forging᠐produced a strong, tough blade. In modern times the improvement in iron-making techniques, especially the introduction of cast iron, restricted welding to the blacksmith and the jeweller. Other joining techniques, such as fastening by bolts or rivets, were widely applied to new products, from bridges and railway engines to kitchen utensils. Modern fusion welding processes are an outgrowth of the need to obtain a continuous joint on large steel plates. Riveting had been shown to have disadvantages, especially for an enclosed container such as a boiler. Gas welding, arc welding, and resistance welding all appeared at the end of the 1th century.


The first real attempt to adopt welding processes on a wide scale was made during World War I. By 116 the oxyacetylene process was well developed, and the welding techniques employed then are still used. The main improvements since then have been in equipment and safety. Arc welding, using a consumable electrode, was also introduced in this period, but the bare wires initially used produced brittle welds. A solution was found by wrapping the bare wire with asbestos and an entwined aluminium wire.


The modern electrode, introduced in 107, consists of a bare wire with a complex coating of minerals and metals. Arc welding was not universally used until World War II, when the urgent need for rapid means of construction for shipping, power plants, transportation, and structures spurred the necessary development work. Resistance welding, invented in 1877 by Elijah Thomson, was accepted long before arc welding for spot and seam joining of sheet. Butt welding for chain making and joining bars and rods was developed during the 10s. In the 140s the tungsten-inert gas process, using an inconsumable tungsten electrode to perform fusion welds, was introduced.


In 148 a new gas-shielded process utilized a wire electrode that was consumed in the weld. More recently, electron-beam welding, laser welding, and several solid-phase processes such as diffusion bonding, friction welding, and ultrasonic joining have been developed.


GAS WELDING


Gas welding is a non-pressure process using heat from a gas flame. The flame is applied directly to the metal edges to be joined and simultaneously to filler metal in wire or rod form, called the welding rod, which is melted to the joint. Gas welding has the advantage of involving equipment that is portable and does not require an electric power source. The surfaces to be welded and the welding rod are coated with flux, a fusible material that shields the material from air, which would result in a defective weld.


ARC WELDING


Arc-welding processes, which have become the most important welding processes, particularly for joining steels, require a continuous supply of either direct or alternating electrical current. This current is used to create an electric arc, which generates enough heat to melt metal and create a weld.


Are welding has several advantages over other welding methods. Arc welding is faster because of its high heat concentration, which also tends to reduce distortion in the weld. Also, in certain methods of arc welding, fluxes are not necessary. The most widely used arc-welding processes are shielded metal arc, gas-tungsten arc. gas-metal arc, and submerged arc.


SHILEDED METAL ARC


In shielded metal-arc welding, a metallic electroude, which conducts electricity, is coated with flux and connected to a source of electric current. The metal to be welded is connected to the other and of the same source of current. By touching the tip of the electrode to the metal and then drawing it away, an electric arc is formed. The intense heat of the arc melts both parts to be welded and the point of the metal electrode, which supplies filler metal for the weld. This process, developed in the early 0th century, is used primarily for welding steels.


GAS-TUNGSTEN ARC


In gas-tungsten arc welding, a tungsten electrode is used in place of the metal electrode used in shielded metal-arc welding. A chemically inert gas, such as argon, helium, or hydrogen, is used to shield the metal from oxidation. The heat from the arc formed between the electrode and the metal melts the edges of the metal. Metal for the weld may be added by placing a bare wire in the arc or the point of the weld. This process can be used with nearly all metals and produces a high-quality weld. Moreover, the rate of welding is considerably slower than in other processes.


GAS METAL ARC


In gas-metal welding, a bare electrode is shielded from the air by surrounding it with argon or carbon dioxide gas or by coating the electrode with flux. The electrode is fed into the electric arc, and melts off in droplets to enter the liquid metal that forms the weld Moat common metals can be joined by this process.


SUBMERGED ARC


Submerged-arc welding is similar to gas-metal arc welding, but in this process no gas is used to shield the weld. Instead, the arc and tip of the wire are submerged beneath a layer of granular, fusible material formulated to produce a proper weld. This process is very efficient but is generally only used with steels.


RESISTANCE AND THERMITE WELDING


In resistance welding, heat is obtained from the resistance of metal to the flow of an electric current. Electrodes are clamped on each side of the parts to be welded, the parts are subjected to great pressure, and a heavy current is applied briefly. The point where the two metalin welding breaks or seams in heavy iron and steel sections. It is also used in the welding of rail for railroad tracks meet creates resistance to the flow of current. This resistance causes heat, which melts the metals and creates the weld. Resistance welding is extensively employed in many fields of sheet metal or wire manufacturing and is particularly adaptable to repetitive welds made by automatic or semiautomatic machines.


In thermite welding, heat is generated by the chemical reaction that results when a mixture of aluminum powder and iron oxide, known as thermite, is ignited. The aluminum unites with the oxygen and generates heat, releasing liquid steel from the iron. The liquid steel serves as filler metal for the weld. Thermite welding is employed chiefly


SAFETY MEASURES WHEN WORKING WITH METAL


A brief outline of the safety recommendations for arc welding and the cutting processes is as follows


1. Keep the working area and floor clean and clear of electrode stubs, scraps of metal and carelessly disposed tools.


. See that the cable connections are tight and that they do not become hot.


. Never look at an electric arc with the naked eye.


4. Never weld while wearing wet gloves or shoes.


5. Never leave the electrode holder on a table or on the table or in contact with a grounded metallic surface.


6. Operate arc welding machines and equipment only in clean dry locations.


7. Always work in a ventilated area


8. Goggles with suitable lenses and protective clothing are recommended as protection against harmful rays, as well as against flying sparks, splattering metals and hot metal.


BIBLIOGRAPHY


• Blackburn, Peter, Chemistry; Pan Pacific Publications Ltd, 181.


• Brumbaugh, Jame .E., Welder's Guide and Handbook, D. B. Taraporevala Sons & Co. Pvt. Ltd.


• Frisch, Susan, Metal; Watson-Guptill Publications, 18.


• Midgley, Barry, Sculpture, Modelling and Ceramics Techniques and Materials; The Apple Press, 186.


• Prescott, Christopher .N., Chemistry; Federal Publication Ltd, 18.


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Thursday, November 19, 2020

Rocky Mountain Spotted Fever

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Ticks and Rocky Mountain Spotted Fever


What are ticks?


Ticks are not insects like fleas, flies,and lice, but are arachnids like mites and spiders. They are classified into two families based on their structure. The family Argasidea contains the argasid ticks, which are soft-shelled. Their body lacks a hard shell which is the protective outer covering found on some ticks. The other tick family is named Ixodidae and these ticks possess the hard outer covering, and therefore, are termed hard-shelled ticks. The two hard shelled ticks, Dermacentor andersoni and Dermacentor variabilis are responsible for spreading the organism that causes Rocky Mountain Spotted Fever. All ticks have three pairs of legs during the immature stage and four pairs as an adult. Ticks possess a sensory apparatus called Hallers organ that senses odor, heat and humidity. They use this organ to locate their food source. A ticks diet consists of only blood and ticks require a blood meal to progress to each successive stage in their life.


What is the life cycle of ticks?


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Most ticks are three host ticks. This means that during their development which takes two years, they feed on three different hosts. All ticks have four stages to their life cycle egg, larvae, nymph, and adult. An example of a life cycle would be to look at the deer tick. Adult female deer ticks lay eggs on the ground in spring. Later in the summer the eggs hatch into larvae (seed ticks). The larvae find an animal ( the first host, which is usually a bird or rodent), live off its blood for several days, then detach and fall back onto the ground. For deer ticks, this most commonly occurs in the month of August. In the ground the larvae now molt into the next stage called nymphs. These nymphs remain inactive during the winter months and in spring become active. The nymph now finds an animal ( the second host- a rodent, pet, or human) and feeds again. It then detaches and falls back to the ground. Here it molts and changes into an adult. Throughout the fall, both adult male and female ticks now find another animal ( the third host- a rodent, deer, pet, or human) and feed on blood and mate. Once well fed, both males and females fall back to the ground. The male now dies and the female lives through the winter and lays eggs in the spring completing the cycle.


What is Rocky Mountain Spotted Fever?


RMSF is a disease transmitted by ticks and is most prevalent in the east coast, midwest, and plains regions. RMSF affects man, dogs,and other small mammals. It has been demonstrated that cats may also become infected, but the disease in cats is minimal. Various rodents, raccoons and fox may carry the organism ,Rickettsia rickettsii, that causes RMSF. The role of ticks in the transmission of the disease was first described in the early 100s by Howard Ricketts, for whom the organism was named.


How is Rocky Mountain Spotted Fever transmitted?


R. rickettsii is transmitted from animal to animal through the bite of the American dog tick (Dermacentor variabilis) and the Rocky Mountain Spotted Fever tick (Dermacentor andersoni). The seasonal activity of the ticks contributes to the seasonal aspect of RMSF which runs from March to October. Any of the various life stages could be infected with R. rickettsii and transmit RMSF. The tick must be attached to a host for a minimum of 5-0 hours for transmission of R. rickettsii to occur. Transmission can also occur through blood transfusions.


What are the symptoms of Rocky Mountain spotted fever?


There are two stages of RMSF Subclinical and acute. In the subclinical stage, dogs are infected, but do not show outward signs of the disease though they may have laboratory test abnormalities. These dogs recover quickly.


In the acute stage, dogs have a loss of appetite, fever, pain in the muscles and joints, swollen lymph nodes, and edema in the face and legs. Some animals develop pneumonia or heart arrhythmias, which can lead to sudden death. Most dogs have neurological signs which can include dizziness, depression, stupor, and seizures. These signs appear to 14 days after the tick bite. The dogs may have anemia, a low number of platelets, ulcerations of the mucous membranes and extremities.


How is Rocky Mountain spotted fever diagnosed?


Blood tests are available to test for the dogs antibodies to R. rickettsii. A test is also available which detects antigens of the organism by doing a biopsy of an affected lesion. This test can show a positive as early as -4 days after exposure. A tentative diagnosis of RMSF is supported by appropriate historical, physical, and laboratory findings in endemic areas during the months of March to October as well as recent exposure to ticks.


How is Rocky Mountain spotted fever treated?


The antibiotics tetracycline, doxycycline, and enrofloxacin are used. Treatment is usually for 10 to 14 days. Dogs that develop severe disease must be treated for shock or severe nervous system symptoms. If treated within the first several day, most dogs will recover completely with some dogs showing improvement within hours of starting antibiotics. Purebred dogs seem more prone to develop clinical illness than mixed breed dogs with German Sheperds having a higher prevalence than other breeds.


How is Rocky Mountain spotted fever prevented?


There is no vaccine for RMSF so tick control is the main way to prevent RMSF as well as avoiding tick infested areas.


Can people get Rocky Mountain spotted fever?


People can get RMSF through a tick bite or the contents of a tick that comes in contact with a persons abraded skin or conjunctiva during removal of an engorged tick from pets.


People do not get infected directly from a dog. The common symptoms in people include a rash, fever, chills, headache, and muscle aches. Other less common symptoms include nausea, abdominal pain, and swollen lymph nodes. Approximately 400-100 cases of RMSF are reported in people in the United States each year.


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Poetry

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Poetry-poetry is a patterned form of verbal or written expression of ideas


in concentrated, imaginative, and rhythmical terms. Poetry usually contains


Rhyme and a specific meter, but not necessarily.


Poetry-To me poetry is when you sit down and just begin to write and


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Whatever comes out you write down and it turns into a poem.


Meter-meter is a pattern of stressed and unstressed syllables established in a line of poetry.


Foot-a foot is a unit of meter. A metrical foot can have two or three syllables. A foot consists generally of one stressed and one or more unstressed syllables.


Iambic foot- the iambic foot is a two-syllable foot with the stress on the second syllable. It is the most common foot in English.


"She Walks in Beauty"


By Lord Byron


She walks in beauty, like the night


Of cloudless climes and starry skies;


And all thats best of dark and bright


Meet in her aspect and her eyes


"On Being Brought from Africa to America"


By Phillis Wheatley


Twas mercy brought me from my Pagan land,


Taught my benighted soul to understand


That theres a God, that theres a Saviour too


Once I redemption neither sought nor knew.


Some view our sable race with scornful eye,


Their colour is a diabolic die.


Remember, Christians, Negros, black as Cain,


May be refind, and join th angelic train.


"While You Were Chasing a Hat"


By Lilian Moore


The wind


that whirled


your hat


away


"Friend"


By Jessie Jones


My friend why did you die that way,


I miss you each and every day


"Sunny"


By Jessie Jones


Sunny weather keeps you warm,


Till comes the next big storm


Trochaic foot- the trochaic foot consists of a stressed syllable


Followed by an unstressed syllable.


"Song"


By Sir John Suckling


Why so pale and wan, fond Lover?


Prithee why so pale?


Will, when looking well can't move her,


Looking ill prevail?


Prithee why so pale?


"Infant Innocence"


By A. E. Housman


The Grizzly Bear is huge and wild;


He has devoured an infant child.


The infant child is not aware


It has been eaten by the bear.


"In Memory of W.B. Yeats"


By W. H. Auden


Earth, receive an honoured guest;


William Yeats is laid to rest


Let this Irish vessel lie


Emptied of its poetry.


"People"


By Jessie Jones


The fifty men and women are,


Fifty cats and dogs


"Tiger"


By Jessie Jones


Tiger, tiger bright and bold


In the forests never cold


Anapestic foot-the anapestic foot consists of three syllables with the


Stress on the last symbol.


"IMPEACH"


By Phil Trieb


Will Congress impeach or just censure


Or forget it and simply move on


And claim they have taken the tempture


Of the people, who say its too long


" The MEANING OF IS"


By Phil Trieb


The president knows not what is means


And the intelligence of all he demeans


Such deceitful word games


As he everyone blames


But himself, when he let drop his jeans.


"PLACES"


By Jim Janson


As I gazed across the golden sands.


Overlooking the promised lands.


A ship passed through.


Destination Timbuktu.


Working on deck were all hands.


"TALKING"


By Jessie Jones


One day when I went walking.


I could hear someone mocking,


The poor defenseless fans.


Who were sitting in the stands.


While all they were doing was talking.


"BABY"


By Jessie Jones


There is a pretty new baby


Her name is Haley Jade


I look at her daily.


Dactylic foot- The Dactylic foot contains three syllables with the stress


On the first syllable


"Bees"


By Norman Rowland Gale


You voluble,


Velvety


Vehement fellows


That play on your


Flying and


Musical cellos.


"Authors preface"


By Chilswell


Our generation already is overpast,


And they lov'd legacy, Gerard, hath lain


Coy in my home; as once thy heart was fain


Of shelter, when God's terror held thee fast


In life's wild wood at Beauty and Sorrow aghast;


Thy sainted sense trammel'd in ghostly pain,


Thy rare ill-broker'd talent in disdain


Yet love of Christ will win man's love at last.


"Charge of the Light Brigade"


By Billy Tennyson


Half a league, | half a league,


Half a league | onward,


All in the | valley of Death


Rode the six | hundred....


Cannon to | right of them,


Cannon to | left of them


Cannon in | front of them


Volleyed and | thundered


"Madison"


By Jessie Jones


Madison is soo pretty


And she has big feet


She cries a lot


But she is soo sweet


"McDonalds"


By Jessie Jones


McDonalds is very fun


You can eat in the sun


Have a burger with a regular bun


But make sure its done.


Spondaic foot- the spondaic foot consists of two unstressed


Syllables.


Pyrrhic foot- the pyrrhic foot consists of two unstressed syllables.


Monometer-one foot line in a poem


"Upon His Departure"


By Robert Herrick


Thus I


Pass by


And die.


"fleas"


By Unknown


Adam


Had'em


"Bondago 1"


By Unknown


This far I came.


This much I did.


Good.


"Summer"


By Jessie Jones


Summers


Blend their


Colors


Rarely.


"Spring"


By Jessie Jones


When the dark


Of a spring


Interrupts,


There is one


Who will serve.


Dimeter- two foot line


"Money"


By Richard Armour


Workers earn it,


Spend thrifts burn it,


Bankers lend it,


Women spend it,


Forgers fake it,


Taxes take it,


Dying leave it,


Heirs receive it,


Thrifty save it,


Misers crave it,


Robbers sieze it,


Rich increase it,


Gamblers lose it…


I could use it.


"Resume"


By Dorthy Parker


Razors pain you;


Rivers are damp;


Acids stain you;


And drugs cause cramp.


Guns arent lawful;


Nooses give;


Gas smells awful;


You might as well live.


"The Charge of the Light Brigade"


By Alfred Lord Tennyson


Cannon to right of them,


Cannon to left of them,


Cannon in front of them


Volleyd and thunderd;


Stormd at with shot and shell,


Boldly they rode and well,


Into the jaws of Death,


Into the mouth of Hell


Rode the six hundred.


"I want"


By Jessie Jones


I wanna eat,


I wanna sing,


I wanna smile,


I wanna dig,


I wanna walk,


I wanna run,


I wanna do everything!


"Color"


By Jessie Jones


Plants are green,


Paper is white,


Water is clear,


Or water is brown.


Trimeter- three-foot line


"The idle life I lead"


By Robert Bridges


The idle life I lead


Is like a pleasant sleep,


Wherein I rest and heed


The dreams that by me sweep.


"The Conqueror Worm"


By Edgar Allan Poe


Lo! tis a gala night


ʏWithin the lonesome latter years!


An angel throng, bewinged, bedight


ʏIn veils, and drowned in tears,


Sit in a theatre, to see


"The haunted palace"


By Edgar Allen Poe


In the greenest of our valleys


ʏBy good angels tenanted,


Once a fair and stately palace


ʏSnow-white palace reared its head.


In the monarch thoughts dominion


ʏIt stood there!


Never Seraph spread his pinion


ʏOver fabric half so fair.


Eldorado


By Edgar Allan Poe


Gaily bedight,


A gallant knight,


In sunshine and in shadow,


Had journeyed long,


Singing a song,


In search of Eldorado.


Tamerlane


By Edgar Allan Poe


Kind solace in a dying hour!


Such, father, is not (now) my theme-


I will not madly deem that power


Tetrameter- four-foot line


"Not Quite Fair"


By Henry Leigh


The hills,the meadows,an the lakes,


Enchant not for their ownsweep sakes,


They cannot know, they cannot care


To know what they are thought so fair.


"The haunted palace"


By Edgar Allen Poe


In the greenest of our valleys


ʏBy good angels tenanted,


Once a fair and stately palace


ʏSnow-white palace reared its head.


In the monarch thoughts dominion


ʏIt stood there!


Never Seraph spread his pinion


ʏOver fabric half so fair.


"The Conqueror Worm"


By Edgar Allan Poe


Lo! tis a gala night


ʏWithin the lonesome latter years!


An angel throng, bewinged, bedight


ʏIn veils, and drowned in tears,


Sit in a theatre, to see


Pentameter- five-foot line


"Sonnet number one"


By Shakespeare


From fairest creatures we desire increase,


That thereby beautys rose might never die,


But as the riper should by time decease,


His tender heir might bear his memory


But thou contracted to thine own bright eyes,


Feedst thy lights flame with self-substantial fuel,


Making a famine where abundance lies,


Thy self thy foe, to thy sweet self too cruel


Thou that art now the worlds fresh ornament,


And only herald to the gaudy spring,


Within thine own bud buriest thy content,


And, tender churl, makst waste in niggarding


Pity the world, or else this glutton be,


To eat the worlds due, by the grave and thee.


"Sonnet number two"


By Shakespeare


When forty winters shall besiege thy brow,


And dig deep trenches in thy beautys field,


Thy youths proud livery so gazed on now,


Will be a totterd weed of small worth held


Then being asked, where all thy beauty lies,


Where all the treasure of thy lusty days;


To say, within thine own deep sunken eyes,


Were an all-eating shame, and thriftless praise.


How much more praise deservd thy beautys use,


If thou couldst answer This fair child of mine


Shall sum my count, and make my old excuse,


Proving his beauty by succession thine!


This were to be new made when thou art old,


And see thy blood warm when thou feelst it cold.


"Sonnet number four"


By Shakespeare


Unthrifty loveliness, why dost thou spend


Upon thy self thy beautys legacy?


Natures bequest gives nothing, but doth lend,


And being frank she lends to those are free


Then, beauteous niggard, why dost thou abuse


The bounteous largess given thee to give?


Profitless usurer, why dost thou use


So great a sum of sums, yet canst not live?


For having traffic with thy self alone,


Thou of thy self thy sweet self dost deceive


Then how when nature calls thee to be gone,


What acceptable audit canst thou leave?


Thy unused beauty must be tombed with thee,


Which, used, lives th executor to be.


"Sonnet number five"


By Shakespeare


Those hours, that with gentle work did frame


The lovely gaze where every eye doth dwell,


Will play the tyrants to the very same


And that unfair which fairly doth excel;


For never-resting time leads summer on


To hideous winter, and confounds him there;


Sap checked with frost, and lusty leaves quite gone,


Beauty oer-snowed and bareness every where


Then were not summers distillation left,


A liquid prisoner pent in walls of glass,


Beautys effect with beauty were bereft,


Nor it, nor no remembrance what it was


But flowers distilld, though they with winter meet,


Leese but their show; their substance still lives sweet.


"Sonnet number six"


By Shakespeare


Then let not winters ragged hand deface,


In thee thy summer, ere thou be distilled


Make sweet some vial; treasure thou some place


With beautys treasure ere it be self-killed.


That use is not forbidden usury,


Which happies those that pay the willing loan;


Thats for thy self to breed another thee,


Or ten times happier, be it ten for one;


Ten times thy self were happier than thou art,


If ten of thine ten times refigured thee


Then what could death do if thou shouldst depart,


Leaving thee living in posterity?


Be not self-willed, for thou art much too fair


To be deaths conquest and make worms thine heir.


Hexameter- six-foot line


"Faerie Queene"


By Edmund Spenser


A gentle knight was pricking on the plaine,


Ycladd in mightie armes and silver shielde,


Wherein old dints of deepe woundes did remaine,


The cruell markes of many a bloody fielde;


Yet armes till that time did he never wield


His angry steede did chide his foaming bitt,


As much disdayning to the curbe to yield


Full jolly knight he seemed, and faire did sitt,


As one for knightly jousts and fierce encounters fitt.


Adonais


Bymary shelly


Oh weep for Adonais-he is dead!


Wake, melancholy Mother, wake and weep!


Yet wherefore? Quench within their burning bed


Thy fiery tears, and let thy loud heart keep,


Like his, a mute and uncomplaining sleep;


For he is gone where all things wise and fair


Descend. Oh dream not that the amorous deep


Will yet restore him to the vital air;


Death feeds on his mute voice, and laughs at our despair .


The Lotos-Eaters


By Tennyson


Courage! he said, and pointed toward the land,


This mounting wave will roll us shoreward soon.


In the afternoon they came unto a land


In which it seemed always afternoon.


All round the coast the languid air did swoon


Breathing like one that hath a weary dream.


Full-faced above the valley stood the moon;


And, like a downard smoke, the slender stream


Along the cliff to fall and pause and fall did seem.


"He Stepped"


By Larry Hosken


He stepped from bus, all fuming and exhaust-


Ed; Larry went to the grocers lair.


Too grumpy to watch leftovers defrost,


He bought spaghetti sauce stored in a jar.


Ah fate! To kitchen then did he repair,


But could not twist oen stubborn jar. Now cross,


Wished to fill sucky vacuum seal with air,


He gave the lid a whack! Showed it whos boss.


From the--oops--cracked jar to floor gurgled spattring sauce.


Eve of St. Agnes


By Keats


St Agnes Eve -- Ah, bitter chill it was!


The owl, for all his feathers, was a-cold;


The hare limped trembling through the frozen grass,


And silent was the flock in wooly fold


Numb were the Beadsmans fingers, while he told


His rosary, and while his frosted breath,


Like pious incense from a censer old,


Seemed taking flight for heaven, without a death,


Past the sweet Virgins picture, while his prayer he saith.


Heptameter- seven-foot line


Casey at the Bat


By Earnest Thayer


It looked extremely rocky for the Mudville nine that day.


The score was two to four with but one inning left to play.


"What I Want"


By unknown


Days alone


Are the ones I


Never want to see


I want to spend time with you


Every second of the day, if I could


I would live a life to come with you.


To spend every day within


Your arms.


To feel your love wash over me


Like the falling waves of the ocean.


"Forgive me, Im new"


By Jim Morrison


So stand close by as I wait for death.


Maybe then youll hear me plea.


And you can hear the pain in my last breath.


Mournful cry out to thee.


"Bird"


By Jessie Jones


There was a bird in a tree, it sat lonely looking at me


I looked at it and I cried, can I help you, can you see?


"Clean"


By Jessie Jones


One day my house was exceptionally clean


Only because my mom was being exceptionally mean.


Octameter- eight-foot line


"The Raven"


By Edgar Allan Poe


Once upon a midnight dreary, while I pondered, weak and weary,


Over many a quaint and curious volume of forgotten lore,


While I nodded, nearly napping, suddenly there came a tapping,


As of some one gently rapping, rapping at my chamber door.


Tis some visitor, I muttered, tapping at my chamber door


ʏOnly this, and nothing more.


"March An Ode"


By Algernon Charles Swinburne


Fain, fain would we see but again for an hour what the wind and the sun have dispelled and consumed,


Those full deep swan-soft feathers of snow with whose luminous burden the branches implumed


"A Toccata of Galuppis"


By Robert Browning


Ay, because the seas the street there; and tis arched by... what you call... Shylocks bridge with houses on it, where they kept the carnival I was never out of England--its as if I saw it all.


"Tree"


By Jessie Jones


There was a very pretty flowering pear tree in our very big yard.


It smelled extremely bad, kind of like lard.


"Rose"


By Jessie Jones


There is a real pretty rose in the flower bed it has petals that are different colors


The rose has a long stem that is green and really long roots.


Rhymed verse- rhymed verse consists of verse with end rhyme and usually with a regular meter.


"Bread and Wine"


By Rainer Maria Rilke


Eternity wants in. How and by whom


are rites less solemn told apart from more?


Look in the window, through the darkened store,


at supper in a clearly lit back room


"Buddha"


By Rainer Maria Rilke


As if he listened. Quiet…something far…


We hold our breath, hearing it no longer.


And he is star. And other giant stars,


unseen by us, orbit him out yonder.


"Lady in a Mirror"


By Rainer Maria Rilke


Like someone flavoring a bed-time drink


she lets dissolve into the mirrors pool


her air of weariness and then lets sink


the brilliant smile for which some play the fool.


"Butterfly"


By Jessie Jones


Butterflies are pretty fairies


They are not the least bit scary.


"Bird"


By Jessie Jones


There was a bird in a tree, it sat lonely looking at me


I looked at it and I cried, can I help you, can you see?


Blank verse- blank verses consists of lines of iambic pentameter without end rhyme.


"Invocation"


By John Milton


Of man's first disobedience, and the fruit


Of that forbidden tree whose mortal taste


Brought death into the world, and all our woe,


With loss of Eden, till one greater Man


Restore us and regain the blissful seat,


Sing, Heavenly Muse, that, on the secret top


Of Oreb, or of Sinai, didst inspire


That shepherd who first taught the chosen seed


In the beginning how the Heavens and Earth


Rose out of Chaos or, if Sion hill


Delight thee more, and Siloa's brook that flowed


Fast by the oracle of God, I thence


Invoke thy aid to my adventurous song,


That with no middle flight intends to soar


Above th' Aonian mount, while it pursues


Things unattempted yet in prose or rhyme.


"Mending Wall"


By Robert Frost


Something there is that doesn't love a wall.


That sends the frozen-ground-swell under it,


And spills the upper boulders in the sun;


And makes gaps even two can pass abreast.


"Andrea del Sarto"


By Browning


But do not let us quarrel anymore,


No, my Lucrezia; bear with me for once


Sit down and all shall happen as you wish.


You turn your face, but does it bring your heart?


"Hills"


By Jessie Jones


I watch the rolling hills fly by my eyes


They look like rolling waves.


"Dew"


By Jessie Jones


It touched my skin like dew without a trail


I brushed it off like it was garbage.


Free verse- free verse consists of lines that do not have regular meter and do not contain rhyme.


"I am the Great Sun"


By Charles Causley


I am the great sun, but you do not see him,


I am your husband, but you turn away.


I am the captive, but you do not free me,


I am the captain but you will not mop.


"untitled"


ByFlora Launa


Running through a field of clover,


Stop to pick a daffodil


I play he loves me, loves me not,


The daffy lies, it says he does not love me!


Well, what use a daffy


When Jimmy gives me roses?


DV


By Katherine Foreman


The worlds most humble egotist


Spin it around but


Nothing is true or can be, so


Were all wrong but youre not.


Is it false that nothing is true


Or can you be the only one blind enough


To see the unreality of the real?


All your isms, youll never be quite wrong


But if nothing is true


Neither are you


"baby"


By Jessie Jones


While it sleeps, there is peace,


In my heart and head


"Emma"


By Jessie Jones


I wont ask you why youre running and


I wont ask you if you care


Rhyme- rhyme is the similarity or likeness of sound existing between two words.


End rhyme- end rhyme consists of similarity occurring at the end of two or more lines of verse.


"I wish"


By Gellette Burgess


I wish that my room had a floor;


I don't so much care for a door,


But this walking around


Without touching the ground is getting to be quite a bore!


"Lady in a Mirror"


By Rainer Maria Rilke


Like someone flavoring a bed-time drink


she lets dissolve into the mirrors pool


her air of weariness and then lets sink


the brilliant smile for which some play the fool.


Casey at the Bat


By Earnest Thayer


It looked extremely rocky for the Mudville nine that day.


The score was two to four with but one inning left to play.


"Butterfly"


By Jessie Jones


Butterflies are pretty fairies


They are not the least bit scary.


"Bird"


By Jessie Jones


There was a bird in a tree, it sat lonely looking at me


I looked at it and I cried, can I help you, can you see?


Internal Rhyme- internal rhyme consists of the similarity occurring between two or more words in the same line of verse


"The Raven"


By Edgar Allan Poe


Once upon a midnight dreary, while I pondered, weak and weary,


Over many a quaint and curious volume of forgotten lore,


While I nodded, nearly napping, suddenly there came a tapping,


As of some one gently rapping, rapping at my chamber door.


Tis some visitor, I muttered, tapping at my chamber door


ʏOnly this, and nothing more.


"AN ALPHABET OF FAMOUS GOOPS"


By Gelett Burgess


AN ALPHABET OF FAMOUS GOOPS.


Which you ll Regard with Yells and Whoops.


Futile Acumen!


For you Yourselves are Doubtless Dupes


Of Failings Such as Mar these Groups --


We all are Human!


"Mother nature"


By Jessie Jones


I am the daughter of earth and water,


And the nursling of the sky;


I pass through the pores of the ocean and shores;


I change, but I cannot die.


"Letter"


By Jessie Jones


I wrote to my friend, I had to send


Letter that's even better


"love"


By Jessie Jones


The love will rise above


Cause there is a lot of real love


Masculine Rhyme- masculine rhyme occurs when the last two syllables


"Taps"


By Joseph Esenwein


Fading light


Dims the sight,


And the stars gem the sky,


Gleaming bright,


From afar drawing nigh,


Falls the night.


"Sammy Snakes Grandpa"


By Bob Tucker


Sammy gives an admiring stare


At his old grandpa resting there.


And he is proud, for goodness sake,


To have him as his Grandpa Snake.


"Precious Mother"


By Barbara Ritter


Mother left a while ago


Leaving me here so sad and low


Wondering at times if I can go on


Now that my precious mother is gone


"Butterfly"


By Jessie Jones


Butterflies are pretty fairies


They are not the least bit scary.


"McDonalds"


By Jessie Jones


McDonalds is very fun


You can eat in the sun


Have a burger with a regular bun


But make sure its done.


Feminine Rhyme- Feminine rhyme occurs when the last two syllables of a word rhyme with another word.


The Beauty of a Rose


By Jacqueline Sanders


Beautiful, long-stemmed rose,


placed in a marble black vase.


Looking stiff in your straight pose,


with violets and daisies, interlaced.


Swaying softly in a light breeze,


casted from a slightly opened window.


"How are you"


By Arthur Guiterman


Don't tell your friend about your indigestion


"How are you!" is a greeting, not a question.


A (Mite)y Blessing


By Unknown


I think a thought both now and then.


My thought just now, Ill think again.


An unappreciated fact,


bacteria in size have lacked.


"Guns"


By Jessie Jones


Having guns is not lawful


It is also very aweful.


"Arena"


By Jessie Jones


In the arena there is lots of fighting


So there must be great lighting.


Triple Rhyme- triple rhyme occurs when the last three syllables of a word or line rhyme.


"The Hippopotamus"


By Hilaire Belloc


I shoot the Hippopotamus


With bullets made of platinum


Because if I use the leaden ones


His hide is sure to flaten'um


"The Soldiers of our Queen"


By W. S. Gilbert


DRAGOONS


The soldiers of our Queen


Are linked in friendly tether;


Upon the battle scene


They fight the foe together.


"The Game"


By Jessie Jones


In the game we were victorious


Which was quite glorious


"Cave"


By Jessie Jones


In the cave I was quivering


I've never felt so much shivering.


Rhyme Scheme- rhyme scheme is a pattern or sequence in which rhyme occurs.


Stopping by Woods on a Snowy Evening


By Robert Frost


Whose woods these are I think I know. a


His house is in the village though; a


He will not see me stopping here b


To watch his woods fill up with snow. a


My little horse must think it queer b


To stop without a farmhouse near b


Between the woods and frozen lake c


The darkest evening of the year. b


He gives his harness bells a shake c


To ask if there is some mistake. c


The only other sounds the sweep d


Of easy wind and downy flake. c


The woods are lovely, dark and deep, d


But I have promises to keep, d


And miles to go before I sleep. d


And miles to go before I sleep. d


Alliteration- alliteration is the repetition of the initial letter or sound in two or more words in a line of verse.


"My Madeline"


By Walter Parke


My Madeline! My Madeline!


Mark my melodious midnight moans;


Much may my melting music mean


My modulated monotones.


"A Tutor"


By Carolyn wells


A tutor who tooted the flute


Tried to teach two young tooters to toot;


Said the two to the tutor,


"is it harder to toot, or


To tutor two tooters to toot?


"Pied Beauty"


By Hopkins


Glory to God for dappled things-


For skies of couple-colouras a brinded cow


"Cow"


By Jessie Jones


Many merry milkmaids


Milked Mary moo cow


"Cat"


By Jessie Jones


Furry feline frenzy,


Fat flabby cat


Onomatopoeia- onomatopoeia is the use of words to represent or imitate natural sounds.


"The coming of Arthur"


By Tennyson


Clang battleaxe, and clash brand!


Let the king reign.


"Supper Time"


By Emma Hartnett


Get the cutlery out, clink, clank!


The dog is barking, woof, woof!


The bins falling over, bang, crash!


The sound of eating, munch, crunch!


Spooning in your soup, slurp, slurp!


Somebody has hiccups, hic, hic!


My lemonade fizzing, fizz, fizz!


The cats rubbing my leg, purr, meow!


Suppers over - Burp!


Mind your manners!


"The Farm"


By Brett Sheehan


The cows chewing the grass,


Crunch, crunch!


The pigs rolling in mud,


Squelch, squelch!


A mouse runs across the floorboards,


Squeak, squeak!


The dog rounding in all the sheep,


Woof, woof!


The farmer going to town,


Brum, brum!


Bees collecting honey in the hive,


Buzz, buzz!


And the ducks swimming around the pond,


Quack, quack!


"Bees"


By Jessie Jones


I hate bees


I have there munch munch on flowers


I hate there buzz buzz buzzing


I hate bees


"witch"


By Jessie Jones


Once I went to a witches house


I heard the gurgle of the cauldron and;


Then a hiss…


Assonance- Assonance is the similarity or repetition of a vowel sound in two or more words.


"Ghost House"


By Robert Frost


Oer ruined fences the grape-vines shield


The woods come back to the mowing field;


The orchard tree has grown one copse


Of new wood and old where the woodpecker chops;


The footpath down to the well is healed.


"The Black Cottage"


By Robert Frost


Blown over and over themselves in idleness.


Sand grains should sugar in the natal dew


The babe born to the desert, the sand storm


Retard mid-waste my cowering caravans


"The Silken Tent"


By Robert Frost


She is as in a field a silken tent


At midday when the sunny summer breeze


Has dried the dew and all its ropes relent,


So that in guys it gently sways at ease,


And its supporting central cedar pole,


That is its pinnacle to heavenward


"lake"


By Jessie Jones


At the big lake


There was a small stake


"Army"


By Jessie Jones


At the army base


The love began to fade.


Consonance- consonance is the repetition of consonant sounds within a line f verse.


"Nothing Gold Can Stay"


By Robert Frost


Natures first green is gold,


Her hardest hue to hold.


Her early leafs a flower;


But only so an hour.


Then leaf subsides to leaf.


So Eden sank to grief,


So dawn goes down to day.


Nothing gold can stay.


"Mowing"


By Robert Frost


There was never a sound beside the wood but one,


And that was my long scythe whispering to the ground.


"Looking for a Sunset Bird in Winter"


By Robert Frost


The west was getting out of gold,


The breath of air had died of cold,


When shoeing home across the white,


I thought I saw a bird alight.


"The Vantage Point"


By Robert Frost


If tires of trees I seek again mankind,


Well I know where to hie me--in the dawn,


To a slope where the cattle keep the lawn.


"Blacky"


By Jessie Jones


Blacky is my black doggie


He brings back balls for you.


"Watermelon"


By Jessie Jones


Watermelons are wonderful,


Wacky, wet and..


Sweet!!


Refrain- a refrain is a repetition of one or more phrases or lines at intervals in a poem, usually at the end of a stanza.


"The smoking world"


By G. L. Hemminger


Tobacco is a dirty weed


I like it.


It satisfies no normal need


I like it.


"Saint Joan Of Arc"


By Karl Oeyvind


God Gave A Task


Why Me You Ask


What Shall I Do


I Listen To You


God Gave A Task


"Barbara Allen"


By unknown


VERSE 1


In a scarlet town where I was born


There was a fair maid dwellin


Made every youth cry well away


For her name was Bar-bra Allen


VERSE


All in th merry month of May


When green buds they were swellin


Sweet William on his death bed lay


For the love of Bar-bra Allen


"luv'em"


By Jessie Jones


My family is rude, but


I luv'em


My family is boring, but


I luv'em


"Turtle"


By Jessie Jones


My turtle is oliver


He Is an ornate turtle.


My turtle is oliver.


Repetition- repetition is the reiterating of a word or phrase within a poem.


"The Hammers"


By Ralph Hodgson


Noise of hammers once I heard,


Manny hammers, busy hammers.


"Relation"


By Unknown


Moths fly with butterflies


Butterflies fly with moths


Hawk-mocking owl bird harbinger-he


In endless not-circles circle we


So repeats tragedy as comedy


Comedy as tragedy


Yet nonetheless


as endless


Humpty Dumpty


By Mother Goose


Humpty Dumpty sat on a wall,


Humpty Dumpty had a great fall;


All the Kings horses and all the Kings men


Couldnt put Humpty together again


"Cookies"


By Jessie Jones


I like cookies


Cookies are good


Cookies make me smile


"Puppy"


By Jessie Jones


I like my puppy


My puppy makes me laugh


My puppy is cute.


Figure of speech- a figure of speech is an expression in which the words are used in a non literal sense to present a figure, picture, or image.


Simile- a simile is a direct or explicit comparison between two usually unrelated things indicating a likeness or similarity between some atribute found in both things. Uses like or as to indicate the comparrison.


"Mending Wall"


By Robert Frost


Bringing a stone grasped firmly by the top


In each hand, like an old-stone savage armed.


He moves in darkness as it seems to me,


Not of woods only and the shade of trees.


"Stars"


By Robert Frost


And yet with neither love nor hate,


Those stars like some snow-white


Minerva's snow-white marble eyes


Without the gift of sight.


"BIRCHES"


By Robert Frost


So low for long, they never right themselves


You may see their trunks arching in the woods


Years afterwards, trailing their leaves on the ground


Like girls on hands and knees that throw their hair


Before them over their heads to dry in the sun.


"love"


By Jessie Jones


Love is like a straight jacket


You can never get out of it!!


"Comp."


By Jessie Jones


A computer is like a cardboard box


Except with memory


Metaphor- a metaphor is an implied comparison between two usually unrelated things indicating likeness or analogy between them. Does not use like or as to indicate the comparison.


"The Silken Tent"


By Robert Frost


She is as in a field a silken tent


At midday when the sunny summer breeze


Has dried the dew and all its ropes relent,


So that in guys it gently sways at ease,


And its supporting central cedar pole,


That is its pinnacle to heavenward


And signifies the sureness of the soul,


Seems to owe naught to any single cord,


But strictly held by none, is loosely bound


By countless silken ties of love and thought


To everything on earth the compass round,


And only by ones going slightly taut


In the capriciousness of summer air


Is of the slightest bondage made aware


"Putting in the Seed"


By Robert Frost


You come to fetch me from my work to-night


When suppers on the table, and well see


If I can leave off burying the white


Soft petals fallen from the apple tree.


Devotion


By Robert Frost


The heart can think of no devotion


Greater than being shore to the ocean--


Holding the curve of one position,


Counting an endless repetition.


"Test"


By Jessie Jones


The test was so easy


It was peaches and cream.


"sister"


By Jessie Jones


My sister is so messy


She is a pig at the table


Personification- personification is the giving of human characteristics to inanimate objects, ideas, or animals.


"My November Guest"


By Robert Frost


My Sorrow, when shes here with me,


Thinks these dark days of autumn rain


Are beautiful as days can be;


She loves the bare, the withered tree;


She walks the sodden pasture lane.


"Mowing"


By Robert Frost


THERE was never a sound beside the wood but one,


And that was my long scythe whispering to the ground.


"TREE AT MY WINDOW"


By Robert Frost


Vague dream-head lifted out of the ground,


And thing next most diffuse to cloud,


Not all your light tongues talking aloud


Could be profound.


"Cat"


By Jessie Jones


The cat danced


When I gave her her food.


"boy"


By Jessie Jones


When he broke up with me


My heart cried out.


Synecdoche- synecdoche is the technique of mentioning a part of something to represent a hole.


"I Will Sing You One-O"


By Robert Frost


Then cane one knock!


A note unruffled


Of earthly weather,


Though strange and muffled.


The tower said, One!


"The Gift Outright"


By Robert Frost


The land was ours before we were the lands.


She was our land more than a hundred years


Before we were her people.


She was ours


"Fire and Ice"


By Robert Frost


Some say the world will end in fire,


Some say in ice.


From what Ive tasted of desire


I hold with those who favor fire.


But if it had to perish twice,


I think I know enough of hate


To know that for destruction ice


Is also great


And would suffice.


"Sailor"


By Jessie Jones


There was a big sailor he said


All hands on deck!


"A ship"


By Jessie Jones


There were people stranded on a island


All of a sudden they said a sail! A sail!


Metonymy- metonymy is the substitution of a word naming an object for another word closely associated with it.


"Out, Out"


By Robert Frost


He must have given the hand. However it was,


Neither refused the meeting. But the hand!


Half in appeal, but half as if to keep


The life from spilling. Then the boy saw all -


Since he was old enough to know, big boy


Doing a mans work, though a child at heart -


He saw all was spoiled. Dont let him cut my hand off -


The doctor, when he comes. Dont let him, sister!


So. The hand was gone already.


"THE MISTRESS OF VISION"


By Robert Frost


Secret was the garden;


Set i the pathless awe


Where no star its breath can draw.


Life, that is its warden,


Sits behind the fosse of death. Mine eyes saw not,


and I saw.


"CONTEMPLATION"


By Robert Frost


This morning saw I, fled the shower,


The earth reclining in a lull of power


The heavens, pursuing not their path,


Lay stretched out naked after bath,


Or so it seemed; field, water, tree, were still,


Nor was there any purpose on the calm-browed hill.


"king"


By Jessie Jones


The queen said


Pay tribute to t he crown.


"Driving"


By Jessie Jones


The white house has decided


That you cant drive till your 18.


Hyperbole- hyperbole is an exaggeration for the sake of emphasis and is not to be taken literally.


"After Apple-Picking"


By Robert Frost


There were ten thousand thousand fruit to touch,


Cherish in hand, lift down, and not let fall.


"The Dew That on Shallot-leaves Lies"


By John A. Turner


How soon in sunlight dries


The dew that on shallot-leaves lies!


Yet the same dew,


Though now tis dry,


Tomorrow morn will fall anew.


But when shall mortal men,


If once they die,


Ever return again?


"Green Green, River Bank Grasses"


By John A. Turner


Green green, river bank grasses,


thick thick, willows in the garden;


Plump plump, that lady upstairs,


bright bright, before the window;


lovely lovely, her red face-powder;


slim slim, she puts out a white hand.


Once I was a singing-house girl,


now the wife of a wanderer,


a wanderer who never comes home --


Its hard sleeping in an empty bed alone.


"HOT"


By Jessie Jones


Its so hot out here


Im going to sweat to death


If I don't get some water.


"Its broke?!"


By Jessie Jones


I broke my nose,


There was rivers of blood.


Litotes- litotes is an understatement and is achieved by saying the opposite of what one means or by making the affirmation by stating the fact in the negative.


"Door Litotes"


By Sharon Dolin


Not ugly, really, off-white gone grey with pencil


scratches made upon it.


"short"


By Sharon Dolin


Not too short, You grew-some, the father chuckled


chucked her chin each time


"Beautiful"


By Sharon Dolin


No longer a girl's body but a mother's not so sad


to become a door after letting in seed pushing


"Speed"


By Jessie Jones


Hey speedy


You are so slow!


"cake"


By Jessie Jones


Hey "skinny"


Why don't you go eat some more cake!


Antithesis- antithesis is a balancing or contrasting of one term against another.


"Phenomenal Antithesis"


By Pavalamani Pragasam


Long, warm rays the morning sun beams-


The cool, short way to start another day.


Vast dunes of dry sand undulate-


A small play-court for probing, fertile minds.


Hot lava pours out of volcanic mouths-


Cold truths, they are, about death and destruction.


"Money"


By Pavalamani Pragasam


Then came an age of moral power;


In supreme honor did Pandavas tower.


Lord Krishnas scriptures paved us the way


And in personal grandeur Lord Rama did sway


"My Love"


By Pavalamani Pragasam


Nature, my lady love, she is


The morning mist her fond kiss on my cheek,


The gentle breeze her soft whisper in my ear,


In flowery attire she feasts my eyes.


The flitting butterflies her flirting charms,


Her eager hands, the sea waves, appear.


Her brooks chatter with fun and laughter,


Her balmy woods caress my soul,


The stars, her eyes, wink with mischief-


An enthralled lover, I lie in bliss in her lap


Apostrophe- apostrophe is the addressing of someone or something usually not present, as though present.


"Something Like a Star"


By Robert Frost


O Star (the fairest one in sight),


We grant your loftiness the right


To some obscurity of cloud --


It will not do to say of night,


Since dark is what brings out your light.


"TREE AT MY WINDOW"


By Robert Frost


Tree at my window, window tree,


My sash is lowered when night comes on;


But let there never be curtain drawn


Between you and me.


"Mending Wall"


By Robert Frost


We have to use a spell to make them balance


"Stay where you are until our backs are turned!"


"friend"


By Jessie Jones


Oh friend, now that you gone,


What am I to do?


"daisy"


By Jessie Jones


Daisy, oh daisy


Why are you so pretty?


Symbol- a symbol is a word or image that signifies something other than what is literally represented


"The Road Not Taken"


By Robert Frost


TWO roads diverged in a yellow wood,


And sorry I could not travel both


And be one traveler, long I stood


And looked down one as far as I could


To where it bent in the undergrowth;


"Rose Pogonias"


By Robert Frost


A saturated meadow,


Sun-shaped and jewel-small,


A circle scarcely wider


Than the trees around were tall;


Where winds were quite excluded,


And the air was stifling sweet


With the breath of many flowers--


A temple of the heat.


"Come In"


By Robert Frost


As I came to the edge of the woods,


Thrush music -- hark!


Now if it was dusk outside,


Inside it was dark.


"flower"


By Jessie Jones


The flower frowns in the drought,


It smiles in the rain.


"dolphin"


By Jessie Jones


Dolphins jump very high


High in the sky.


Stanza- a stanza is a division of a poem based on thought or form. Stanzas are known by the number of lines they contain.


Couplet- a couplet is two lines of verse that rhyme a~a.


"Decorator Hermit Crab"


By Vanessa Pike-Russell


There was a little hermit crab


Who thought his tank was rather drab.


Morning Swim


By Maxine Kumin


I set out, oily and nude


through mist in oily solitude


On a Sea-Storm Nigh the Coast


By Richard Steere


The weighty seas are rowled from the deeps


In mighty heaps,


And from the rocks foundations do arise


To kiss the skies.


"dolphin"


By Jessie Jones


Dolphins jump very high


High in the sky.


"Cave"


By Jessie Jones


In the cave I was quivering


I've never felt so much shivering.


Triplet- the triplet or tercet is a three line stanza or is three lines of verse within a larger unit that usually rhymes a~a~a


Fourteen Haiku


BY Basho


I would lie down drunk


on a bed of stone covered


with soft pinks blooming.


"salmon"


By Adam tillman


Salmon migrate,


at a high rate


and theyre never late.


"salmon grin"


By Adam tillman


Salmon swim


They can grin


With a fin


"frog"


By Jessie Jones


I am a yellow dog


who wishes he was


a purple-spotted frog.


"fish"


By Jessie Jones


You can tell lots of information from their scales


They have long floppy tails


They swim away from whales


Quatrain- a quatrain consists of four rhymed lines.


Leap Before You Look


By W.H. Auden


The sense of danger must not disappear


The way is certainly both short and steep,


However gradual it looks from here;


Look if you like, but you will have to leap.


In Memoriam


By Tennyson


O thou, new-year, delaying long,


Delayest the sorrow in my blood,


That longs to burst a frozen bud


And flood a fresher throat with song


A Red, Red Rose


By Robert Burns


O, my luves like a red, red rose,


Thats newly sprung in June


O, my luves like the melodie


Thats sweetly played in tune.


"salmon"


By Jessie Jones


Salmon dont live in pools


They like it cool


They live in the ocean


And are always in motion


"water"


By Jessie Jones


Water is good for you


It makes you feel good to


It is good from the bottle or well


Man, water is swell!


Quintet- a quintet is a five line stanza.


"A running man"


By unknown


A man


passes running


on the bridge ... not noticing


a lot of swings he has left


up down


"A rain"


By unknown


A rain


soaks my heart


Once I put on rainwear


I have no more wet nor sadness


I walk


"I will"


By unknown


I will


do it for you


bear what I couldnt bear


for a bright future of yours


with love


"Yes"


By Jessie Jones


I say


Yes for our peace


for our happiness and


to keep our good circumstances


Thats all


"You are leaving"


By Jessie Jones


you said


you love me but


now you are leaving me


without saying good-bye...no call


no mail


Sestet- a sestet is a six line stanza


Sestina dInverno


By Anthony Hecht


Here in this bleak city of Rochester,


Where there are twenty-seven words for snow,


Not all of them polite, the wayward mind


Basks in some Yucatan of its own making,


Some coppery, sleek lagoon, or cinnamon island


Alive with lemon tints and burnished natives,


Lo ferm voler


By Arnaut Daniel


But when I am reminded of that chamber


Where I know, to my sorrow, that no man enters


And which is guarded more than by brother or uncle,


My entire body trembles, even to my fingernail,


As does a child before a rod,


Such fear I have of not being hers with all my soul.


"Turning Leaves"


By unknown


I see the forest sparkle in the sunshine


As my passing tosses the leaves


In my path, a lonely road


I started on the road in a fit of grief


Somehow I was hoping to find


Myself, but all I found was myself alone


Septet-a septet is a seven line stanza


"Little Boy"


By unknown


A small boy


Clutched his teddy bear


As he toddled off to bed,


Wanting it to keep him company


In the darkness of the night.


He peacefully slept


Through the night.


"Child"


By Jan Hagg


The childs frozen soul stood mute,


clinging tight to the silence,


arms clutched behind her body,


her head like a broken lute.


Tongue-tied, ashamed of her fright,


articulation had not


been taught her. Yet she could write


"Flower"


By Percy Bysshe Shelly


The flower that smiles today


Tomorrow dies;


All that we wish to stay


Tempts and then flies


What is this worlds delight?


Lightening that mocks the night,


Brief even as bright.


Octave- an octave is an eight line stanza.


"Sorrow"


By Jan Hagg


Confusion rides my every thought.


I twist in the night, I reel in the way.


I would howl from the cliffs, wring the sky wrought


with lightning, hurl my rage, and say


unimaginable sorrows, hard fought,


scrubbed, rinsed, dug up and buried decay.


And yet the light still shines on the yacht


of each new voyage launched each new day.


"Beauty"


By Jan Hagg


Do all man-made beauties contain


a heart of evil, built over


pain, capturing glories of natures wealth


for private gain, approvals lure,


dazzling the heart of love to remain


ensnarled by outer show, impure


foundations returned by charitys stealth,


saying to the others of earth, Endure?


"Black"


By Jan Hagg


The pattern of mornings black


silence, of emptiness, rain


is ripped by the alarm of greed, of lack.


With more respect for gain,


and a very backhanded knack


for security in vain.


Please get rid of your protected stack,


so we can ignore your pain.


Heroic Couplet- the heroic couplet consists of two successive rhyming verses that contain a complete thought within the two lines.


On a Sea-Storm Nigh the Coast


By Richard Steere


Wave after wave in hills each other crowds,


As if the deeps resolved to storm the clouds.


"China"


By Henry Adams


By storm of weakling stars, that he at dawn


Will wither with one ruthless glance away.


"Nemesis"


By Henry Adams


With a few tamarisks upon a mound


Her epigraph upon the desert scrawls.


"Day and night"


By Jessie Jones


Day is cool


But I like night.


"supper and dinner"


By Jessie Jones


Some people call it dinner


But I call it supper.


Terza Rima- terza rima is a three line stanza form with an interlaced or interwoven rhyme scheme.


"Frog"


By unknown


have ideas about the sea,


foreign swamps and bayous,


my own puddle makes me happy . . .


Ode to the West Wind


By Percy Bysshe Shelley


O wild West Wind, thou breath of Autumns being,


Thou, from whose unseen presence the leaves dead


Are driven, like ghosts from an enchanter fleeing,


"Fall"


By unknown


The winged seeds, where they lie cold and low,


Each like a corpse within its grave, until


Thine azure sister of the Spring shall blow


"frog"


By Jessie Jones


I am a yellow dog


who would rather be


a toad. Too many frogs


"Love"


By Jessie Jones


I am in love with you


You are in love with me


We are both in love.


Limerick- a limerick is a five line nonsense poem with an anapestic meter. The first, second, and fifth lines have three stresses and the third and fourth lines have two stresses.


"Baby Boy"


By unknown


To the parents whose bundle of joy


Caused elation that's not at all coy


We all give a cheer


And toast you right here


As you welcome your new little boy.


"Places"


By unknown


As I gazed across the golden sands.


Overlooking the promised lands.


A ship passed through.


Destination Timbuktu.


Working on deck were all hands.


"baby Girl"


By unknown


She's a beauty and surely a pearl


Your new bundle of love all a-curl.


We send our congrats


And take off our hats


To the folks with their new baby girl!


Ballad stanza- the ballad stanza consists of four lines with a rhyme scheme of a~b~c~b. the 1st and rd lines are tetrameter and the nd and 4th are trimeter.


"She wanted"


By W.J. Yeats


She wanted to save her life or death


for a special occasion like love.


She walked in the wind away from the heart


watching the sun above,


Rime Royal- rime royal is a stanza consisting of even lines in iambic pentameter rhyming a~b~a~b~b~c~c.


"Spring Night"


By Jan Hagg


I slept so heavy in the dark spring night


as if Id gone back to the earth to be renewed


like compost shreds from dinners rare delight.


I slept, I sweated, I alone imbued


the night with dreams as black as moss bedewed


with rain and jewels, phantom figments of curled


darkness budding green light that slowly swirled.


Ottava Rima- ottava rima consists of eight iambic pentameter lines with a rhyme scheme of a~b~a~b~a~b~c~c.


"untitled"


By Jan Hagg


I woke into the mornings pure white light,


a desert sun, a moonbeams silver glow.


It was as if the sun could show at night,


all with the moons consent and stars to tow,


along a dancing, shimmering, strange sight


that night was day and day was night, a row


of infinite illuminated in-


crements of time to which my love was kin.


Spensarian Stanza- the spensarian stanza is a nine line stanza consisting of eight iambic pentameter lines followed by an alexandrine,a line of iambic hexameter. The rhyme scheme is a~b~a~b~b~c~b~c~c.


"Flowers"


By Jan Hagg


Pigmented dark, the chlorophyll rises


wayward in spring to tree tops and flower leaves,


veridian green, causing veridic crises.


The naked branches, used to winters freeze,


must cloth themselves in blossoms though it grieves


them to hide their sturdy brown limbs, their high twigs.


They wait in shame for autumns golden sheaves,


dancing beneath their gowns of green to gigs


created by their unwanted, leafy, musical wigs.


English Sonnet- an English sonnet is a fourteen line stanza form consisting of iambic pentameter lines.


"English Sonnet"


By Jan Hagg


When memories begin to rise from my


sonambulant and sleepy brain, twilight


clears clouds that seem to gather to defy


the sun, the warmth, the life, the dance, the bright


blue beauty of a dying summers lore.


When stars begin to wink new fears rise up


always new fears. Does God want terror more


or humans pitiful love in a cup


with golden etchings commemorating


the memorable few times when Gods kind smile


outweighed his wrath? Is God mean and blaming


small, frightened and as full of fear, nay vile


as creatures born of his loneliness, born


in his image, born cringing, forlorn.


Italian Sonnet- the Italian sonnet is a fourteen line stanza form consisting of an octave and a sestet.


"Italian Sonnet"


By Jan Hagg


I miss the walk to the sea, the grassland,


the small dam. I miss three or four lilies,


white and vulnerable, marsh bred, like trees.


I miss the picnic on peas, yellow, bland,


with olive oil, onion, dill, mixed by hand.


I miss the roads curve, the skys soaring breeze,


straining for the sound of the surf, the lees


smell, the surprise of the sun on the sand.


I miss all this, but I dont miss thee,


not the small hurts nor the great betrayals,


the spiraling shroud of your proud disdain,


nor the supreme vision you gave to me.


The vast pleasure of mornings peace assails


springs world with the breaking blossoms wild reign.


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