In what ways is Act III Scene ii one of the key scenes in Shakespeare's play "Hamlet"?

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In Shakespeare's plays, there are many important scenes. In "Hamlet" one of the most important is Act III scene ii. This could be because it is a "key" scene in the fact that in unlocks a path for which the rest of the play will follow course. Or that it is a "key" scene because of its content, like the fact that it contains a play-within-a-play ect.

In my essay, I will discuss both of the point stated.

The main point of this scene is to see whether the Ghost seen in Act I Scene ii is telling the truth, or, if he is just an evil spirit, taking the form of Hamlet.

In this scene hamlet uses the play as a device with which to see if Claudius is guilty of murdering his father if not. He has the players act a scene like the ghosts account of how he was murdered. He and Horatio observe Claudius's reaction to the play and see if he reacts to it. We can tell that Hamlet thinks that he will react because he says

"…I have heard that guilty creatures sitting at a play have by the very cunning

of the scene been struck to the sole, that presently they have proclaimed their maletacions"

but there are also many differences between the "play-within-the-play" and what hamlet is told by the Ghost. Hamlet cannot have the actors play out the exactly what was said, because or else Claudius will know that Hamlet knows that he murdered his own brother, and that Hamlet wants to kill him.

One of the differences is that the prisoner, Lucianus, is not actually the kings brother, nut his nephew. The prisoner also "woos the Queen with gifts"; this does not happen in the play. The Queen also seems harsh to the idea of marring again, but in actual fact, she does not.

When Claudius is watching the play, the reacts to the scene when the Player King (sleeping in his orchard) Is poisoned by his nephew, just as hamlet had planned. Claudius starts calling for "Light" This could have many different meanings, "Light" could mean goodness or forgiveness, and he is seen in the next scene to be praying for forgiveness. Hamlet is delighted that his plan has worked, and that Claudius has revealed his guilt.

Hamlet asks if the king is frightened by "false fire", this could be like false fire in a gun, when there is no gunpowder (he is afraid of nothing).

At the start of this scene, Shakespeare gives advice to actors though Hamlet. We know this because the lines 1 to 6 were added to the play in a later edition. These likes also do not add to any of the plot.

Fellow playwrights of Shakespeare would have witnessed the play. He then states what the problems with acting are. These problems

The Problems of acting in Shakespeare's day

There were many problems in the standard of acting in Shakespeare's day. This

can be deduced by the extra lines that were added in Act III Scene ii lines

1-6.

People who used to act in plays at the time often shouted (as to be heard over

the talking and noise of the crowd). Shakespeare says that town crier might as

well act the plays, as they would be just as loud.

The actors also over did (over played) emotion, and that they weren't being

natural in the way that they acted, they weren't "Portraying nature" because no

one naturally.

In this scene, Hamlet reacts with many of the other characters in the play. It shows that he is a very witty character, always resorting to puns.

We can tell a lot bout how the stage was set up, and how theatre parts were played. Limelights were used to light the stage form below. When hamlet says "what, frightened by false fire?", false fire also refers to the "false fire" used to light the stage.

The fact that Shakespeare used original stories to base his plays on is also shown in this scene. Hamlet uses an earlier story to write his playa.

This scene also introduces a vicious circle to the play. Hamlet (wants to kill) Claudius (who tells) Leurties (to kill) Hamlet ect. This is a truing point in the play, where it is sent in a different direction than the audience think.

It is rare to have a dumb show, or play-within-a-play, within a play, and Hamlet is one of two Shakespeare plays which has one, the other one being A mid summers night dream. It is an important part of this scene because it is the only time within the entire play that we see the murder, after all, this is a play about murder. Before all we knew about the murder was what the Ghost tells Hamlet. It is one of the few examples what a dumb show was like during Shakespeare's time.

The dumb show was shown before the play to introduce it, like a program is used today. It was used to make people understand the main concept of the play.

During lines 46 to 64, Hamlet talks to Horatio about them being friends, and then, on line 64, says

"Something too much of this"

He says it like it is not a manly thing to be talking about. So men did not play sentimental parts on stage.

After the play has taken place, Guildenstern and Rosencrantz call Hamlet to his mother. He then accuses both of them of lying to him. They deny this, but know that they are. Hamlet says that lying is as easy as playing a flute. He then shows this to the audience by playing with Polonius, asking if he can see the cloud shapes in the sky, which obviously do not look like anything, and then changing his mind. Polonius then agrees with everything that he is told.

Hamlets soliloquy is used in communicating his current emotional state to the audience because it reveals the true nature of Hamlets feelings; not only through the diction but also through the imagery, language and underlying messages of the text. It successfully highlights the divisions of character of Hamlet whilst aiding the audience in building a connection with him.

The play dealt with contemporary issues at the time. The question of who would succeed Elizabeth the Ist was an important one at the time. The play deals with the murder of a king, which would have been shaking to the audience because of its subject, a king was appointed by God, and if he was killed, it would be like disobeying God.

In he play, when all of the royal family is dead, Fortinbras claims the throne and becomes king of Denmark, Fortinbras is a prince form Norway.

"..with sorrow I embrace my fortune. I have some rights of memory in this kingdom, which now to claim my vantage doth invite me."

This, in Shakespearian times, would have been the happy ending to the play. The throne was taken over by someone with royal blood, who had been appointed by God.

One of the most important, or key, scenes in the play "Hamlet" is Act II Scene ii. This is because of many reasons. It changes the course that the play takes because of the fact that Hamlet now knows that the Ghost seen in Act I Scene ii is telling the truth. He will then try and kill Claudius. It is also important because it revels a lot about how the art of acting was conducted in Shakespeare's time.

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Political Opponents to the Nazis

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Political Opponents to the Nazi Regime

Between 1 and 145, a variety of groups offered resistance to the Nazis. Among the earliest opponents of Nazism in Germany were Communists, Socialists, and trade union leaders.

Locating sources for such a group of opponents has been particularly difficult mainly due to the fact that they were dealt with in a very effective manner. Spreading of political ideas around this time was also mainly word of mouth and little or no sources exist to show this other than the SOPADE reports shown below (referring to factory workers and small group meetings)

The communists

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The Reichstag was burned on the 7 February. A leading Communist was arrested and beheaded for the crime. Hitler used this as an excuse to make people belief in a communist uprising. The King then suspends civil rights, supposedly temporarily. However, it was continued until 145.

The Sturmabteilung or SA was founded, with Hitler at its head, as a private Para-military force, which allegedly was to be used for the purpose of protecting NSDAP leaders from attack by rival political parties, and preserving order at NSDAP meetings, but in reality was used for fighting political opponents on the Streets.

Hitler began to remove his political opponents in their opposing political parties. The Communists had already been disbarred, as were the Social Democrats and the Catholic Centre party, as well as the conservative groups. It became illegal to be a member of a political party and anyone caught rallying power against the Regime was imprisoned and later executed.

The first concentration camps in Germany were established soon after Hitlers appointment as chancellor in January 1. The SA (Sturmabteilung; Storm Troopers) and the police organized concentration camps beginning in February 1. Set up by local authorities on an ad hoc basis to handle the masses of people arrested as alleged political opponents of the regime, camps existed throughout Germany. For example, camps were located in Oranienburg, north of Berlin; Esterwegen, near Hamburg;

The Nazi Party banned the SDP in June 1 and most of its leaders were arrested and sent to concentration camps.

Sources

Arrival of political prisoners at the Oranienburg concentration camp. Oranienburg, Germany, 1.

Political Parties in the Reichstag June10 May 14 Dec. 14 May18 Sep.10 July1 Nov.1 Mar.1

Communist Party (KPD) 4 6 45 54 77 8 100 81

Social Democratic Party (SDP) 10 100 11 15 14 1 11 10

Catholic Centre Party (BVP) 65 81 88 78 87 7 0

Nationalist Party (DNVP) 71 5 10 7 41 7 5 5

Nazi Party (NSDAP) - - - 1 107 0 16 88

Other Parties 8 7 11 1 5

Ernst Thaelmann was arrested by the Gestapo on rd March 1. He was later able to smuggle out details of his interrogation.

It is nearly impossible to relate what happened for four and a half hours, from 5.00pm to .0pm in that interrogation room. Every conceivable cruel method of blackmail was used against me to obtain by force and at all costs confessions and statements both about comrades who had been arrested, and about political activities.

It began initially with that friendly good guy approach as I had known some of these fellows when they were still members of Severings Political Police (during the Weimar Republic). Thus, they reasoned with me, etc., in order to learn, during that playfully conducted talk, something about this or that comrade and other matters that

interested them. But the approach proved unsuccessful. Was then brutally assaulted and in the process had four teeth

But the actual high point of this drama was the final act. They ordered me to take off my pants and then two men grabbed me by the back of the neck and placed me across a footstool. A uniformed Gestapo officer with a whip of hippopotamus hide in his hand then beat my buttocks with measured strokes, Driven wild with pain I repeatedly screamed at the top of my voice.

Then they held my mouth shut for a while and hit me in the face, and with a whip across chest and back. I then collapsed, rolled on the floor, always keeping face down and no longer replied to any of their questions. I received a few kicks yet here and there, covered my face, but was already so exhausted and my heart so strained, it nearly took my breath away.

David Low, In Occupied Territory (10th July, 14)

Some sources are available online, simply search for them on google such as the David Low, In Occupied Territory (10th July, 14) sorry i couldnt put it in

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A THIEFS TALE

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PART 1

Thalos Vanmor was known to the thieves and thugs as one of the greatest trackers, trap-finders, scouts, thieves, and lock picks on all of Oerth. To the common folk, he was just another face in the crowd. He was easily the most skilled member of the Crimson Shadow Guild of Gray Hawk.

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Not such a tall man. He only stood just over five feet tall. He was as graceful as a swan and slightly built. He had long raven black hair and green eyes that glistened like two emeralds. He was quite charismatic and always clean shaven. He always carried a silver dagger at his side. He commonly was dressed in all black, but occasionally wore green and brown when venturing off into the forest. On his right shoulder he bares the mark of the Crimson Shadow.

(A hazy red fiend clutching a dagger ). He wouldn't even go back on a deed owed to a friend nor enemy. One day, he was in the Silver Goblet, a tavern in the upscale district of Gray Hawk. He noticed a noble in red robes enter the tavern. He took note of the man's great Golden Dragon pendent right away. Suddenly a thought clicked in his mind that he had to have the pendent. An over whelming thought , a promise of riches and eternal life emanated from the pendent. As if the pendent beckoned for him. He quickly decided that he would have to steel it from the man. He slowly maneuvered his way through the crowed of people over to the man. As he reached out to slyly cut the man's pendent form his neck, a drunken dwarf bumped into him. His hand slipped, and he accidentally stabbed the man into the back of his head. He took the pendent, and then bolted out the door.

A moment later as he gracefully weaved and darted through the crowd, he heard shouts for the city guards. As he looked back, he saw two members of the guards in studded leather armor. Their spears held high and close to their chest, they maneuvered through the crowd in pursuit of Thalos.

Thalos moved on franticly looking for a means of escape. He could sense the guards getting closer every moment. In his haste, he darted down an ally, but to his dismay he soon realized the horrible truth that it was a dead-end. He searched for a place to hide but there was nothing. He began to realize that he was going to have to fight the guards or admit defeat and be arrested.

As the guards began to come into site, Thalos felt an arm on his shoulder. He looked over and saw an arm coming through the wall, and he was pulled through. He sat on the floor, breathless for several minutes talking in the last few events. He looked up to see a tall hulking beast of a man. He remembered the man as a half orc, one of the few mixed breeds between orc and man. The man had small tusks jolting from his bottom jaw. He had red eyes that shined like fire red rubies. His hair was a tangled mess of knots. He had no real nose but in its place were two nostrils. He had hair all over his hulking frown. There was a tattoo of the shadow fang gang on his right peck. (A white fang surrounded by a circle of black) The half-orc looked down with a puzzled look on his

and said "Thalos?" in a gruff stern voice.

Thalos shook his head in agreement and asked "And who might you be." in a calm tone.

"I am Pintrom. I have been sent by my gang leader, Rostile, to gain your help." He said in his gruff voice as he extended his arm to help Thalos up.

"Ok, I will help your gang Pintron." Thalos said, as he thought to himself that he owed this man a favor for saving his life. He reached up to grasp Pintrom's arm to right himself. Then, Pintrom led Thalos down a pitch black corridor. Thalos pulled out his silver dagger and activated it's light ability. As he did, he noticed the splendor or this corridor. The walls were made of smooth polished marble. The ceiling had a magnificent painting of a huge Great wyrm red dragon laying serge to a towering black cathedral. The view was breath taking. He also noted that some of the figures in the painting moved slightly as if the whole event on the ceiling was unfolding at that very moment. The floor was polished obsidian with white spots that resembled the endless night. The smell of fire burning filled his nostrils as a gentle breeze blew past his face. He closed his eyes for just a second, and he nearly forgot where he was.

When they reached the end of the long corridor, there was a great stone door. On the door, there was a carving of a great wolf of the shadows. The carving seemed to leap out at you. If he didn't know any better, he would have thought it to be the Wolf of the Shadows.

Pintrom pushed the huge door open with ease and an eerie silence. The door opened into a gargantuan room. The room was adorned with great violet tapestries, beautiful tables, and realistic statues of great beasts. At the far end of the room. There was a man sitting in an oversized chair.

Pintrom lead Thalos over to the man in the chair.

The man then said "I am the great Rostile Leader of the Shadow Fang Gang, One of the most prominent gang in Flaless.", In an oddly deep voice for a man of his size.

Rostile seemed to be only about 4'. He had short brown hair and sky blue eyes. He had a very predominant chin. There was an odd, yet comforting smile on his face. He wore a blue noble outfit with a dark indigo cloak trimmed with silver. He had a short sword with a very large ruby in it's hilt set on the arm of the massive chair on witch he sat.

"Your probably wondering why I asked you here.? In fact there are probably several thoughts running through your head." Said Rostile in a playful tone with a hint of sarcasm.

"Yes. What is this place?" said Thalos with an odd innocence.

"This is the new grand hall of the Shadow Fang Gang. We acquired from a great wizard in a recent business venture, but on a more serious note I need a favor." Said Rostile.

"What kind of favor do you have in mind?" Said Thalos with a puzzle look upon his face.

"I need a item from a wizard and your skills will be a key part in my attaining this rare item, but until you accept I cant tell you any more." He said in a more serious tone.

"What will this task pay?" Said Thalos in a quick and a harsh tone.

"You will receive 100 gold pieces and you may keep the items I provide you with and any thing you find in the wizards keep." Said Rostile. The smile appearing on his face again.

"I'll accept your offer but only if you put up 1000 gold pieces up front." Said Thalos with a smug grin upon his face.

"Ok you may your gold Thalos." Said Rostile after much deliberation. As he tossed Thalos a rather large pouch of gold .

"So what will this job consist of and what is the item I will have to obtain for you." Thalos said in a grinning child like manner.

"The item I need is the legondary Shadowstaff . I heard that it is now in the possession of Gorthose The Arch mage of Dyves. It is lock away some where with in the walls of his colossal tower. Now Pintrom will take you to Levinon our wizard. He will help your travel." Rostile said now more serious then ever.

Pintrom led Thalos to a small wooden door in the southeast corner of the magnificent room.

As Thalos walked through the door he saw …

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Found Text

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From a postcard showing the Banff Springs Hotel in the Canadian Rockies, postmarked 0th September, 170. Found in a Cancer Research charity shop; Nottingham, England, October 00

Mr & Mrs. G.E. Orton,

16 Kealeston Road,

Leicester,

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England.

Here I am in Vancouver having a wonderful time, I have spent 5 days with Peggy in Alberta. From here I go on to…[illegible] …and to Long Beach, Cal, to see Tom and Ann home. Tonight I am going to the C.B.C studio to see the production of a daily magazine programme with which a cousin (from Kettering) is connected. [Illegible signature)

The solopsism of the postcard is shown here in all its bland glory; an annotated rendition of a journeyexperience stripped of any excitement or interest. Peggy, Tom and Ann (not to mention the cousin from Kettering) all get a name check in this hopelessly dull account. So, the postcard heads for Leicester, citing Vancouver, Alberta, California and Kettering in some mad congregation of disperate locales. The Here I am that begins the postcard sees the narrative voice leaping around in space-time to be both here (Alberta) and here (Leicester)at once. What to do with the postcard once received? Return it to the sender when theyre home, as a lover might do once the love affair is over? Stick it on the notice-board at home (probably in the kitchen)and admire/ignore the image of the Banff Springs Hotel? Maybe write one back, recounting the quotidian experiences back home in Leicester? I imagine the recipients (Mr. & Mrs. G. E. Orton) to be mildly interested in [illegible signitures]travails, reading the card over a toast and tea breakfast, remarking on the coincidence of the cousin in Kettering (dull, known, parochial) being involved in a CBC production (unknown, (good)foreign and exotic, when in fact it is not coincidental, but entirely incidental.

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Lord of the flies

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The Lord the Flies

The Lord of the Flies by William Golding is a novel depicting the depravity of

all human beings. It follows a group of British boys on a journey from

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civilization to savagery and the ultimate fight for survival. It explores

startling questions about human nature through symbolism. The dark side of

human nature is manifest in everyone. Only those who face the truth and are

completely honest with themselves can overcome that darkness.

The darkness is brought about by fear, cruelty, and deceit. Fear is first

introduced to island society by the littluns who speak of a beast from the water

and from the forest. This fear is multiplied and magnified tenfold as everyone

is drawn into this terror of the unknown. Though the older boys know that there

is no beast because they have explored the island and found nothing, they choose

to deceive themselves and succumb to fear, to darkness. Cruelty is the most

physical of the dark traits and even Ralph has an abundance of it. The boys

unite through common cruelty, from the teasing of Piggy to the killing of pigs.

Cruelty exists in moderation in most people and society usually does not allow

it to develop. In these unusual circumstances however, Roger and Jack reach new

heights of violence towards others. The darkness becomes a formidable force on

the island as those who oppose it are subdued or killed, and the truth

concealed.

It is possible to overcome the darkness by seeing the truth and accepting only

complete honesty towards oneself. Simon, after his conversation with the Lord

of the Flies, becomes a bearer of truth. He is the only child who understands

what the beast is. In carrying this knowledge, he is murdered by the masses, by

those who are possessed by the darkness. He is a sacrifice for the cause of

shedding light in the dark because it allows Ralph to find conviction in

himself. This force of cruelty and deceit subconsciously manifests itself in

the children, and they fall victims of the darkness by killing Simon. After

Simon's murder, only Ralph is willing to face the events of that night. Piggy

calls it an accident while Jack tries to explain it away by claiming Simon was

the beast in disguise. Jack, while in self-denial, is also perpetrating an

effective scheme to maintain power over the tribe. An event of this magnitude

had the potential to topple Jack's leadership but instead he turns it to his

advantage, by telling lies. Simon's murder allows Jack to emphasize the danger

of the beast and therefore the necessity to hunt and give offerings to appease

it. Though not having as clear an understanding as Simon, Ralph makes the

sacrifice worthwhile for he, from this point forth, can never be completely

submerged in the darkness.

Piggy's death is further symbolic of the necessity for seeing the world clearly

in order to overcome the darkness. The reason Piggy and Ralph confront the

tribe at the time which leads to Piggy's death is because Jack steals the

glasses in order to make fire. The glasses and their utility represent

civilization and intelligence. Furthermore, though it physically helps Piggy

see clearly, it symbolically is the force behind Ralph's progressive ideas.

Piggy, the advisor behind Ralph's leadership, gives Ralph a broader and clearer

perspective. It is in this manner that Ralph is able to make good decisions for

the people. Piggy is murdered by Roger on a sadistic whim and Piggy's

intelligence embodied by the glasses are perverted to serve the savages. The

tribe uses the glasses to make fire the fire that will soon consume the entire

island in the hunt for Ralph. Though Piggy dies, his influence and his ability

to see the truth continue in Ralph. Completely alone, Ralph is able to draw on

Piggy's insight and hold on to civilization for strength. Ralph, being the only

remaining person on the island who is willing to face the truth, has to be

eliminated. The glasses, though turned from their original purpose of

maintaining civilization, still retain some of its virtue. The fire the tribe

starts to smoke out Ralph using those glasses also serves to save his life; thus

enabling him to survive the darkness of the island society.

The group of little boys on the island is a microcosm of human society. The

appearance of the naval officer at the end of the novel draws a parallel between

the war waged in the adult world and the boys' isolated existence. It shows

that even in "civilized" society, darkness permeates human interactions, be it

between countries or countrymen. Only the truth will prevail over the darkness

of human nature.

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Genetic Engineering

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Over the past decade genetic engineering has moved from the realms of fantasy to reality thanks to the sequencing of the human genome and developments in molecular biology techniques. A definition of genetic engineering is "the manipulation of DNA using restriction enzymes which can split the DNA molecule and then rejoin it to form a hybrid molecule." It is the introduction of genes into existing cells; this may be used to prevent or cure a wide range of diseases or perhaps to genetically alter a plant so that it gives more food.

There are three types of genetic engineering. The first is used for gene therapy and involves the use of retroviruses. Retroviruses are viruses that can transfer their own genetic information and also genetically alter the human gene. This type of therapy can be used in the treatment of brain tumours. Suppose a brain tumour is forming by rapidly dividing cancer cells. The reason this tumour is forming is due to some defective or mutated gene. The therapy chosen for this case would be to use a herpes virus that has had its virulence removed, rendering it harmless. The virus is still able to insert its genetic material into the target cells. The virus is then taken and injected into mouse cells, where it makes additional copies of itself. These mouse cells, now containing the virus, are then injected into the brain containing the tumour. Once inside the brain, the virus seeks out the target tumour cells and invades them. The tumour will now start to produce herpes enzymes because the virus has inserted its genetic material into the tumour cells. Once this happens, a physician can treat the patient with a herpes curing drug that will destroy the tumour cells along with the mouse cells that are producing the herpes enzyme.

The second method involves blasting genes with a pressurized gun filled with helium. The helium gun will fire very small gold bullets, which will be coated with the genetically altered genes. This technique was done on mice that had tumours. The gold bullets coated with the altered genes were shot at the skin of the mice that surrounded the tumours. The cells that were successful in receiving the altered genetic code activate immune cells. By this activation of the immune cells, it is hoped the tumours will decrease. By using the gene bullets the genes are not permanently in the cells of the mice but the effects ware off in a few days to a few weeks. This may be an advantage or a disadvantage.

The final method involves liposomes. These are hollow, fat molecules in solution. This method has been experimented with cystic fibrosis, where chloride ion levels need to be kept low. By inhaling liposomes coated with genetically altered genes, the build up of chloride ion is prevented. There is a significant decreased in chloride ion levels. This method does not pose the harmful side effects that retroviruses do.

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Despite this new technology possibly curing thousands of diseases, there are many disadvantages to using it. The basis of gene therapy is finding a gene that is not functioning right and to insert a healthy portion into that gene. To find these genes, scientists must perform genetic tests or genetic screening to see if the gene that causes the defect is present. This genetic testing is highly controversial and is raising many ethical and legal issues. Many believe that this is an invasion of privacy. If, for example, tests are performed during pregnancy to find genetic faults, these could lead to an increase in the number of abortions. Many young couples may find out that they are carriers of a disease and then have to decide if they want to have a child that could be born with a genetic disease. One major dilemma is finding adequate insurance once a person finds they have a genetic disorder. This may be insurance to cover the treatments, which could be gene therapy, or living their lives knowing that they carry a gene for a disease. A positive test will have placed them in a high-risk group, a group they may have not been in if they hadn't been tested. It is this labelling that makes insurance coverage almost impossible to find. The insurance that will cover them may be extremely expensive. So, choosing to have the test may be a question of whether they think their current insurance will cover them or not.

Another problem is regulation of the uses of gene therapy. For example, society is obsessed with the idea of youth and beauty. If scientists could identify the gene that contributes to youth or beauty, then the technique of gene therapy could be monopolized by the cosmetic industry to enhance beauty or to "turn back the clock". The problem with this is whether baldness, height, or beauty should be enough of a reason to require gene therapy. Then where does it stop? Do we have the right to design who we are, what are children should be? Should people have the power to play God? Many people are worried that new virus or unseen disasters could be provoked by human's medalling in genetics. Do we know all the consequences? Although precautions are taken, the risks of harmful modified bacteria (as an example), escaping, still exist. There is also a fear that biological weapons could be developed as a result of genetic engineering. This, for many, this is a central problem in the future capabilities of genetic engineering.

A final disadvantage relates to taking genetic information out of other animals and placing them into humans. For example if an animal produces an enzyme, which is in short supply in some humans, the gene from the animal could be placed into humans. Many moral issues are raised here also. Should we be taking cells from animals and putting them in ourselves?

However, for many, the advantages far out-weigh the disadvantages of gene therapy. First of all, advances in the field have introduced treatments to various diseases that were previously thought to be hopeless. Secondly, gene therapy has brought about the production of medicines in mass quantities. The medicines are pure and much cheaper if technology allows it to be produced in large amounts. Also genetically engineered organisms have many potential applications in agriculture, including novel foods, pesticides, and animal drugs. These include, among others, animals engineered for leaner meat, plants engineered for insect resistance, and bacteria engineered to produce drugs for livestock. Many of the problems that exist with genetic engineering could be eradicated with further funding. While, if precautions are taken the risk factor can be minimised to a miniscule scale. Whatever the view point, there is no denying that genetic engineering has the potential to be a revolutionary new form of curing diseases or even solving industrial problems in agriculture. Perhaps, eventually genetically modified food could even be a cheap solution to world hunger. What should be remembered throughout is that if used for good, genetic engineering could save millions of lives. For that reason alone, I believe that developments into genetic therapy should continue.

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"It's like rain on your wedding day. It's the free ride and you've already paid. It's the good advice that you just didn't take. Isn't it ironic? Don't you think?" These are lyrics from a popular song titled Ironic. Have you ever stopped to think how ironic life is? Maybe you don't even know what irony is. Irony is defined in Webster's as "incongruity between the actual result of a sequence of events and the normal or expected result." Oedipus' life, in Oedipus Rex by Sophocles, is the epitome of irony. Even though the song Ironic was written just a few years ago, I think that the song could have been Oedipus' theme song. I am going to take you on a journey through Oedipus' life and demonstrate how different events in his life correspond symbolically to each scenario of this song. Oedipus ironic marriage is "like rain on your wedding day." His "free ride" was to be a ruler, but he "already paid" by taking another throne. In addition we see many characters throughout the play giving him advice "that [he] just didn't take." However, the most ironic component of the play is how Oedipus, with good eyesight, is blind to the truth and the blind man can "see" everything.

A bride's nightmare is rain on her wedding day. A wedding is suppose to be bright and beautiful not damp and dreary. The same thing is true for a marriage. For Oedipus and Iocaste their marriage started off bright and beautiful but abruptly turned damp and dreary. Oedipus runs away from home because of an oracle that says he would marry his mother. He thinks that staying away from his mother will prevent the oracle from coming true. After solving a riddle and delivering the people of Thebes, Oedipus gets a beautiful bride, Iocaste, as his gift. Life is good for Oedipus and there is no "rain on his wedding day." However when he begins to realize that Iocaste could be his mother and the story unfolds, he is faced with having committed one of the worst sins, marrying his mother. Suddenly there is "rain on his wedding day." It is ironic that the very thing that he left home for was the reason for his demise and the marriage that he cherished so much was considered so indecent. "Isn't it ironic? Don't you think?"

If Oedipus would have stayed in Corinth, he would have been king. It was a "free ride." Polybos, King of Corinth, loved Oedipus so much that Oedipus believed that he truly was his son. If Oedipus would have stayed, he would have been there when Polybos got sick and passed away and then Oedipus would have inherited the throne. However, because of the oracle, Oedipus fled Corinth. Oedipus "paid" much to become a king, which he could have been if he would have stayed. This payment included killing the king of Thebes, ironically his father. Oedipus' royalty could have been a "free ride," but he decided to "pay" for it. "Isn't it ironic? Don't you think?"

Don't you hate it when someone gave you good advice that you just didn't take? Oedipus suffered immensely for not listening to other's advice. For example, Teiresias tries to convince Oedipus to let him go home because it doesn't want to tell Oedipus what he knows. Teiresias tell Oedipus, "No, I will never tell you what I know. Now it is my misery; then, it would be yours." (Scene 1 line 11-11). Teiresias advises Oedipus not to force him to tell what he knows, but that was good advice that Oedipus just doesn't take. Later Iocaste tries to stop Oedipus from digging so deep into the murder of Creon. She says "listen to me, I beg you do not do this thing!"(Scene line 145) Again it was "good advice that he just didn't take." "Isn't it ironic? Don't you think?"

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Perhaps the most ironic part of the play is the underlying symbolism of being able to see physically, but blind to the truth verses being blind physically, but able to see everything. This antagonism is seen between Oedipus and Teiresias. Oedipus is blind to the fact that the person he is so passionately looking for is himself. His blindness to the truth causes him to create an unimaginable sentence for the murderer of Creon, which is none other than himself. However, Teiresias who is physically blind is the one person who knows the truth. Teiresias knows that Oedipus is the murderer that Oedipus is looking for. Ironically at the end of the play, when Oedipus realizes the truth, he pokes out his eyes, causing himself to be blind. "Isn't it ironic? Don't you think?"

Irony is something that is encountered everyday. Most of us don't even realize that it is irony. Oedipus primary goal in this play was to save his people and in saving his people, he banished himself. His marriage ended up being rainy, his free ride ended up costing him the throne, and the good advice that he didn't take led to his demise. "Isn't it ironic? Don't you think?"

Please note that this sample paper on SOMETHING is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on SOMETHING, we are here to assist you. Your persuasive essay on SOMETHING will be written from scratch, so you do not have to worry about its originality.

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