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Monday, January 11, 2021

Free Will vs Fate

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The dialectical tension between interpretations of destiny and free


will does not render an absolute logic in Sophocles play Oedipus the


King.  We still discuss the plays thematic importance after more


than two thousand years, a truism which reinforces its complex


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structure, and the antagonistic relationship between fate and human


responsibility still challenges and defines our ideas about tragedy. 


Many will argue that the figure of Oedipus epitomizes tragedy by


nature of his inability to circumvent prophecy and the insuperable


power of the gods.  They have a point insofar as Oedipus inevitably


fulfills the pronounced judgment of the Oracle at Delphi.  The fate


card, however, presents us with a narrow argument of exclusivity and


seems to miss the mark.  The fatalistic approach engenders an


absurdly simplistic response to the text and fails to recognize other


significant factors; indeed various other motives and causes create


and drive the action of the play.  To measure the tragedy of the play


depends on King Oedipus alone, as he represents the human condition


of free will and his subsequent choice of action calculates his


eventual downfall. 


To begin with, an elemental guideline to any history class stresses


that nothing happens in a vacuum, action causes re-action, and events


accumulate; this accumulation of cause and effect becomes valuable


when applied to the case of Oedipus and the overall plot structure. 


Second, Oedipus acts as the detective, prosecutor, and judge of


Thebes; he therefore acts as the primary agent of his own suffering. 


Third, the Oracle of Apollo functions as an omniscient force without


moral or ethical justification, a paradox which undermines its agency


of design.


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