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The dialectical tension between interpretations of destiny and free
will does not render an absolute logic in Sophocles play Oedipus the
King. We still discuss the plays thematic importance after more
than two thousand years, a truism which reinforces its complex
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structure, and the antagonistic relationship between fate and human
responsibility still challenges and defines our ideas about tragedy.
Many will argue that the figure of Oedipus epitomizes tragedy by
nature of his inability to circumvent prophecy and the insuperable
power of the gods. They have a point insofar as Oedipus inevitably
fulfills the pronounced judgment of the Oracle at Delphi. The fate
card, however, presents us with a narrow argument of exclusivity and
seems to miss the mark. The fatalistic approach engenders an
absurdly simplistic response to the text and fails to recognize other
significant factors; indeed various other motives and causes create
and drive the action of the play. To measure the tragedy of the play
depends on King Oedipus alone, as he represents the human condition
of free will and his subsequent choice of action calculates his
eventual downfall.
To begin with, an elemental guideline to any history class stresses
that nothing happens in a vacuum, action causes re-action, and events
accumulate; this accumulation of cause and effect becomes valuable
when applied to the case of Oedipus and the overall plot structure.
Second, Oedipus acts as the detective, prosecutor, and judge of
Thebes; he therefore acts as the primary agent of his own suffering.
Third, the Oracle of Apollo functions as an omniscient force without
moral or ethical justification, a paradox which undermines its agency
of design.
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