Holiday on Mackinaw Island

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Although Mackinaw Island is very small, it is very beautiful and has lots of exciting activities, such as bicycling, horseback riding, buggy riding, and fudge shopping. Mackinaw Island is located in the upper part of Michigan between Lake Huron, Lake Michigan and Lake Superior. It makes a perfect place for a quick getaway. The tourist season runs from mid-May to mid-October. The Island, being only 8. miles around, looks like a small old-fashioned town.

whore back riding is something most of the natives have grown fond of. of course only the higher classes are entitled to the action since most native whores have elevated their fees since the whore back riding boom in demand since 11.

Horseback riding is very exciting and fun. They have different size horses ranging from small to big. The horse owners are very friendly. They help visitors pick out a horse based on your previous experience riding horses. The horses are healthy looking. The horses are well trained; for example they know which path to follow. They walk in a row and only on the right side of the road behind one another. Once the horse reaches designated spot in the forest they start running faster. The green trees make the forest look naturally beautiful. The horses make the ride very exciting by taking the tourists in the forest.

Another interesting activity Mackinaw Island has to offer is the horse carriage tour. First the carriage takes the tourists to horse stables where they can observe horses daily activities. Interesting facts about the horses in carriages are that they are raised together, so they get along very well, and work as a team. Then the carriage tour stops at a famous fudge stop name Blacksmith Shop. It stops there for few minutes to fudge shop. The horse buggies also make a stop to see unique houses and beautiful gardens. The houses are well designed and gardens are decorated with many different types of flowers.

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Mackinaw Island has a wonderful chocolate cooking smell in the air. There are many fudge shops. In Mackinaw Island most of the shops are filled with fudge. The fudge shops have varieties of fudges, Vanilla, Chocolate, Strawberry, Cherry and more. The fudge is sold at reasonably priced.

Finally, I think Mackinaw Island is small but an attractive place to visit. It has many wonderful activities such as bicycling, horseback riding, horse carriage tour and fudge shopping. At first the Island looks very crowded but once you go a little farther away from the Islands downtown area it is very beautiful and peaceful. Mackinaw Island is known for beautiful gardens and unforgettable scenery to view. The Arch Rock is one of the unique places. A huge carved hole in the rock makes it very impressive. The Butterfly House is also something phenomenal to see. Hundreds of butterflies fly in the house. The pretty colors make the butterflies very attractive. The bicycle riding activity is very different and pleasant. The bicycle path is in an excellent spot along the shoreline where tourists can enjoy the view of the lake and enjoy the natural beauty of the Island. At Mackinaw Island the horse owners are very helpful. They help tourists find horses that will suit them based on their previous experience riding horses. The well-trained horses are very gentle and they also show the forest side of the Island. Mackinaw Island is a wonderful vacation for a quick getaway. Mackinaw Island has very relaxing and enjoying atmosphere. It is a very attractive place to go. When I went to Mackinaw Island I enjoyed it very much and I recommend you to go to this place so you dont miss out on something very important. It is one of the best vacation places youll never forget so plan your next vacation at Mackinaw Island.

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King Lear-Psychoanalytical View

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King Lear Essay 06 words.

Viewed from a psychoanalytical perspective, King Lear is a Shakespearian tragedy involving madness, in more than one sense, and the causes and effects of this. There are many individual concepts to explore, and this exposition will investigate the following the madness in Lear and how it progresses, absence of the mother, and the sexual relationship between Lear and his daughters. Lear lacks responsibility in terms of actively and willingly approaching his situations and confrontations blindly. This and his lack of self awareness and lack of awareness toward others, prove that the king is not a man "more sinned against than sinning".

It seems quite clear that Shakespeare uses the word 'mad' for at least the first part of the play in the sense of 'extremely angry', and only later, when Lear does lose touch with reality, does it then mean 'not in his right mind' (insane). Lear is moving on a continuum that begins with extreme anger and progresses to a hallucinatory world. It is here Lear begins to recognise his wrongdoings, and why he is not a man "more sinned against than sinning".

Lear's madness is often seen simply as a man losing his head, but a closer psychoanalytical reading suggests that Lear's madness is much more sharply focused in cause and effect, a particular manifestation of psychological breakdown carefully developed by Shakespeare. The following statements justify Lear's madness, and although tragic, his mental state is a contributing factor in the King's rash decisions and how he is not a man "more sinned against than sinning".

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The very first suggestion that Lear is confusing reality is in fact a jest. He pretends not to know Goneril "Your name, fair gentlewoman?" (1.5.). He is actually playing the fool, with the Fool, and continuing the fool's jesting. The next is a critical line "Let me not be mad/keep me in temper" (1.5.7). Obviously Lear is using the word 'mad' in the sense of extreme anger. Willing to expect loss of temper, the selfish king is not a man "more sinned against than sinning."

It is Edgar who first introduces the idea of genuinely mad people - "The country gives me proof and precedent Of Bedlam beggars, who with roaring voices strike…" (..14-15) (Bedlam means lunatic asylum) The disguise that Edgar adopts of a 'lunatic' is materially different from the 'madness' that Lear will descend into. As is clear from the lack of coherent deductive content in Edgar's feigned speech, he is taking on the disguise of someone who, in contemporary times, has an inherent severe mental disorder.

Lear at this stage is simply under the sway of extreme anger. Lear himself then makes this distinction, talking about Cornwall - "We are not ourselves/When nature, being oppress'd, commands the mind/To suffer with the body." (.4.100-10) The point is that physical or emotional suffering comes before the 'madness' and is a cause of it. In a way Lear is allowing this destruction, and this weakness in his character suggest a man who is not "more sinned against than sinning".

It is Regan, talking to Lear, who actually makes the connection between extreme anger and the loss of reason that can result - "Nature in you stands on the very verge of his confine" (.4.1-140). (Evidence supporting Goneril's dislike of her father - "Of other your new pranks" (1.4.1) Goneril's terminology reflects her attitude toward her father, and how she feels he misbehaves childishly.)

In the same scene Lear still fears uncontrollable anger "I prithee, daughter, do not make me mad" (.4.11); this concept of extreme emotion, rather than biological loss of reason is reinforced by two other characters.

Gloucester points out "The King is in high rage." (.4.88) and Kent combines cause and effect in his comment to the Gentleman "…how unnatural and bemaddening sorrow/The King has cause to plain" (.1.). The King's madness at this point suggest he is not a man "more sinned against than sinning".

Later in the play, Albany will recognise the connection between 'mad' as extreme anger, and 'mad' loss of reason as the consequence of that extremity, when he accuses Goneril of making Lear mad (5..). Lear recognises the danger of extreme anger turning into loss of reason. He says to the fool "O fool, I shall go mad!" (.4.). Take note of the critical change of language here. 'Mad' has been used in conjunction with "make me mad", make me really angry, as in our modern sense an outside person or factor causing the extreme anger. Here Lear uses the expression "I'm going mad." The factor is internal , and just as we would use this to express a fear that we are losing our reason, so surely Lear at this moment is using the word not in the sense of extreme anger, but in the sense of the loss of sanity.

Lear then starts his descent into a loss of connection with reality.

He himself recognises this "My wits begin to turn" (.1.65). This is very different language to describe his state of mind, and for confirmation, this is exactly the point where the storm, symbol of transformation and of raw nature (as opposed to the more rational, human-created environment of the castle/court he has just left) starts to work on him. His inability to overcome this state of mind proves Lear is a man not "more sinned against than sinning".

Indeed, Lear equates the storm with his state of mind - "The tempest in my mind/Doth from my senses take all feeling else/Save from what beats there." (.4.1-15). That the transformation is not complete, but a gradual one, is indicated by Lear's own recognition of the dangers of extreme anger unhinging reason "O, that way madness lies; let me shun that!" (.4.1).

The real sign that Lear's outwardly directed emotions are turning inward into a state of mind that loses connection with external reality is his single-mindedness in talking about the wickedness of his daughters, when with Edgar and the Fool in .4. He has lost connection with those he is talking to, this being evidence for the statement he is not "a man more sinned against than sinning". This situation is made all the more disturbing by the presence of Edgar feigning a different kind of madness.

To confirm the situation, Lear then tear's off all his clothes. Kent now recognises that the situation has changed, in language that makes this change quite clear "His wits begin t'unsettle" (,4,146), and then tells us of that continuum from extreme anger to loss of the sense of reality "All the power of his wits have given way to his impatience". (.6.5). By .6., Lear has lost all connection with reality, and by 4.6. he has totally withdrawn into an imaginary world of his own.

A pattern of ageing is evident in King Lear, he is moving from the first half of his life into the second half of his life. This movement is characterised by Jung as a reversal of everything held consciously true in the first half of life. Lear begins this journey as a contrasting example of Jung's "extroverted, thinking" type, and so must become the opposite "introverted, intuitive" type. This general guideline effectively informs "Lear's transition from a wilful, almost tyrannical figure, who desires to control the reality of the external world by imposing his rationality on those around him, to a withdrawn old man who is unconnected to the external world." The King's egotistical actions led him to a dysfunctional mental state, justifying that he is in no way a "man more sinned against than sinning".

Perhaps Lear acts the way he does because of the absence of having a mother, he may have missed out all together on Freud's theory of the "Oedipal" stage. (stage in early childhood where young child's sexual desire for the parent collides with the competition, rivalry and overwhelming power of the parent of the same sex. According to Freudian theory, the ghosts of this Oedipal crisis haunt us our entire lives. ) All his earlier noted childlike deranged behaviour and statements make for good evidence to support this theory, and the statement that he is a man "more sinned against than sinning".

"Despite the absence of literal mothers, King Lear records the horrific discovery of the suffocating mother at the centre of masculine authority and the terrible vengeance taken upon her. Lear's confrontation with his daughters "leads him to the mother ostensibly occluded by the play in recognising his daughters as part of himself he will be led out to recognise not only his terrifying dependence on female forces outside himself but also an equally terrifying femaleness within himself a femaleness that he will come to call 'mother' (.4.56). Lear's "naked vulnerability" can only be expressed by simultaneously allowing the self-preserving and self-enclosing male rage that provokes it."

A Freudian argument is that Cordelia, as the third daughter, is death itself, and that the "silent goddess" who destroys Lear is the last of the three forms his relations with women must take. Since nearly everything in Freud's database relates back to the Oedipal theory, it's not surprising that Lear, an elderly patriarch who manages to attain a true transcendence of his personal miseries, should nevertheless be seen this way "it is in vain that the old man yearns after the love of woman as once he had it from his mother; the third of the Fates alone… will take him into her arms.

In the many notes available on King Lear, it is often after the above theories where another idea, the one of Lear's sexual indications with his daughters, begin to be questioned.

In the beginning of the play, Goneril and Regan use their sexuality, flattery and false praises to manipulate Lear into seeing them as loyal and honest, which are actually true qualities found in their banished sister, Cordelia. Goneril reflects and plays upon her father's desires when she pledges to her father a love "that makes breath poor, and speech unable" (1.1.55) And Regan promptly chooses to follow her sister's footsteps by focusing on "my very deed of love" (1.1.66) Lear's accusations invariably sexualize his daughters when they refuse to defer him, although he was the one who commanded them to perform their love for him. This in terms of society is definitely a sin, and King Lear is definitely not a man "more sinned against than sinning".

An argument put forward by Janet Alderman reads that Goneril and Regan are "invented" by Lear's "need", and she argues that they are "the cannibalistic children that Lear's own rage has made. They are distorted children of his own appetite, born from his hunger for Cordelia". Again his greed represents the reasoning for the statement that he is most certainly not a "man more sinned against than sinning."

It does not seem totally clear why the sisters' cruelty to their father should be related to sexual desire, or why Lear should speak of 'divorcing the tomb" of his dead wife, unless madness may be used to account for all his excesses. Yet he is not 'mad' in the first act of the play, in which he threatens Goneril with the 'kindness' of her sister "I have another daughter/I have cast off forever" (1.4.7)

Lear is not "more sinned against than sinning". He has managed to reduce himself from a noble King to a shelterless victim of his own misjudgements. He comes to realise that he is a mere mortal capable of mistakes. All of his own choices lead to his tragic misfortune, and not being "more sinned against than sinning". His journey from sane to insane is parallel to the subplot. Lear is blind to his enemies deception when he holds the throne, yet after enduring months of painful realisation he manages to see the wrongdoings in Goneril and Regan, and his foolishness in banishing his truly loyal Cordelia. In this sense, King is not a man "more sinned against than sinning", but certainly suffers by having to watch his favourite die.

"Those who are most sinned against are sinners in return." Janet Alderman

Alderman Janet, "Shakespeare"

Oates Joyce Carol ,"King Lear"

N.B. All references to King Lear are from J. L Halio's edition "The tragedy of King Lear".

Please note that this sample paper on King Lear-Psychoanalytical View is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on King Lear-Psychoanalytical View, we are here to assist you. Your persuasive essay on King Lear-Psychoanalytical View will be written from scratch, so you do not have to worry about its originality.

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Victorain women

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During the Victorian era, the roles and liberties of women were

Very limited. Women were expected to cater to the male perspective, while sacrificing

Their own free will. Mary Wollenstonecraft did not adhere to these ideal though. She

Believed in the independence of women, in education and in the home life. Charlotte

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Bronte also showed may similar beliefs towards woman's liberties through her character

Jane Eyre, and her relationship with Rochester. But before these comparions can be made

A better understanding of the Victorian period must be addressed.

Women had very little freedoms durning the Victorian era. Women were

Raised in manners to satisfy the needs of men. Women were supposed to live up to a

Certain image. They were raised to be domesticated and cater to the needs of others

Instead of herself. Woman were taught to be beautiful, and not to think. Education

Was a rarity for the Victorian woman, but the little bit of education offered was to

Prepare them for marriage and servitude. blah blah blah blah blah blah blah blah blah blah bal hbhak theat the star dust does fly over the hill and the little childern frolice int the mist of the early morning dew can you count the raindrops. i dont think so, because i can not count During the Victorian era, the roles and liberties of women were

Very limited. Women were expected to cater to the male perspective, while sacrificing

Their own free will. Mary Wollenstonecraft did not adhere to these ideal though. She

Believed in the independence of women, in education and in the home life. Charlotte

Bronte also showed may similar beliefs towards woman's liberties through her character

Jane Eyre, and her relationship with Rochester. But before these comparions can be made

A better understanding of the Victorian period must be addressed.

Women had very little freedoms durning the Victorian era. Women were

Raised in manners to satisfy the needs of men. Women were supposed to live up to a

Certain image. They were raised to be domesticated and cater to the needs of others

Instead of herself. Woman were taught to be beautiful, and not to think. Education

Was a rarity for the Victorian woman, but the little bit of education offered was to

Prepare them for marriage and servitude. During the Victorian era, the roles and liberties of women were

Very limited. Women were expected to cater to the male perspective, while sacrificing

Their own free will. Mary Wollenstonecraft did not adhere to these ideal though. She

Believed in the independence of women, in education and in the home life. Charlotte

Bronte also showed may similar beliefs towards woman's liberties through her character

Jane Eyre, and her relationship with Rochester. But before these comparions can be made

A better understanding of the Victorian period must be addressed.

Women had very little freedoms durning the Victorian era. Women were

Raised in manners to satisfy the needs of men. Women were supposed to live up to a

Certain image. They were raised to be domesticated and cater to the needs of others

Instead of herself. Woman were taught to be beautiful, and not to think. Education

Was a rarity for the Victorian woman, but the little bit of education offered was to

Prepare them for marriage and servitude.

Please note that this sample paper on victorain women is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on victorain women, we are here to assist you. Your persuasive essay on victorain women will be written from scratch, so you do not have to worry about its originality.

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War is the answer

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War is the answer.

Iraq has the power to kill many innocent people. Iraq has always had their problems with America before, but this time it seems that they have cought the attention of the entire world. They have been under suspicion of making weapons of mass destruction for quite some time now and are currently being investigated. America has stated that they have proof that Iraq is making weapons of mass destruction and want to take immediate action. We should stop them before they gain more power.

This is not the first time that Iraq has been accused of making

weapons of mass destruction. Afew years ago the U.N. sent in inspectors to search for the weapons. After a month or so Iraq

kicked the inspectors out. The U.N. still isnt sure why they were

kicked out, maybe because they were getting too close to

uncovering Iraqs hidden weapon cache. This is one reason that

America believes that Iraq has weapons of mass destruction.

America had also stated that they have satellite pictures of

large shipment loads from multiple weapon construction sites

before the inspectors came to investigate the areas which could

mean that Iraq moved the weapons to places of hiding while the

inspectors were investigating the weapon facilities. This shows

that Iraq was trying to hide something from the inspectors, and

it seems as if when the inspectors were getting too close to the

weapons cache and that is why they were thrown out.

Iraq has also been accused of hiding Al-Qaeda members within

their country. This could mean that Iraq could be connected with

the -11 attacks on America, and if not they are giving refuge to

the terrorists that have caused great destruction on our country.

If in fact they are connected to the Al-Qaeda this would be a

definate reason for us to attack them due to their actions upon

us.Iraqs effortless help has also strained the relations with

America which makes it almost seem as if they dont care about

Americas attempts at stopping the terrorist orginization. Iraq will

not let our agents into their country to do an investigation upon

this matter which is further evidence against them. Iraq wont

even give us a simple request to hold an investigation which also

leads us to believe that they may be giving the terrorists refuge,

this alone would be grounds for an attack.

Iraqs leader Suddam Hussein has recently released new

information stating that they have destroyed 6 of their missles

which were considered weapons of mass destruction. This is

quite confusing considering Suddam Hussein has stated many

times before that Iraq contained no weapons of mass

destruction. Saddam Hussein has put himself in a Catch-,

Mr. Fleischer said. Why does he keep finding things he said he

never, ever had?1 stated Mr. Fleischer, a man of the US

senate. If Iraq had never had weapons of mass destruction then

where did the 6 missles they destoryed come from, and what

about the others they say they are going to destroy. This shows

that Iraq has been lying to the entire world and have been

cought so are now trying to play games with us. This shows

deception and that Suddam Hussein can not be trusted. This is

also a good reason why war with Iraq would be a good idea.

The main idea of this paper shows that Iraq has done many serious things which are grounds for war. Knowing now that they do have weapons of mass destruction and may have the intent of using them would be plenty reason to go to war with them. This could decide the fate of endless lives, yours, mine, and many others we may never meet due to their actions. Iraq should be stopped before they become to powerful, they should be stopped while they still can. Hopefully America and the many other countrys will fallow in the war against Iraq and these problems will be solved before they can get too far out of hand.

Please note that this sample paper on War is the answer is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on War is the answer, we are here to assist you. Your cheap custom college paper on War is the answer will be written from scratch, so you do not have to worry about its originality.

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Monte Cristo and Amadillo

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The Movie "The Count of Monte Cristo" by Alexander Dumas and story "The Cask of Amontillado" by Edger Allen Poe share a common theme of revenge. They both portray a man who has had wrong done to him by another, to even the score they make careful plans and get close to their enemy to carry out their blow.

In the movie "The Count of Monte Cristo" a character by the name of Edmond Dantes is betrayed by his best friend who frames him for a crime and marries his fianc. Edmond wrongly imprisoned for conspiring with Napoleon, becomes consumed by thoughts of vengeance. With nothing but revenge on his mind Edmond works up a plan along with another inmate to make a miraculous escape. The escape didn't go by the plan but was successful none the less. Edmond finds treasure on an island which was hidden by the other inmate, after which he transforms himself into the mysterious and wealthy Count of Monte Cristo, Claiming himself to be of French nobility Edmond puts his plot of revenge on his friend, who had betrayed him and became his enemy, into action. Edmond Dantes gets close to his enemy who does not recognize him. He then tricks him into losing his fortune and wife. Faced with the chance to finish his enemy off Edmond lets him go and decides to not take revenge because he found out the son of his enemy is actually his own and considers the enemy to be his father. After releasing his betrayer Edmond ends up killing him anyway as self defense when his enemy realizing he has nothing to lose might as well try to kill Edmond.

In the story "The Cask of Amontillado" a character by the name of Montressor is insulted some how by his friend Fortunato. Montressor remains close to Fortunato under the false pretense of friendship knowing that he was going to take his revenge on him for the insult, which had not been forgotten. Montressor pretended to have outward friendliness toward his enemy and shrugs off many insults from the drunken Fortunato, he then invites Fortunato to his home to sample a pipe of what passes for Amontillado, Fortunato being a wine Connoisseur accepts Montressors offer. Once at Montressor's house they go down to the vault to get the cask of Amontillado Montressor, while giving Fortunato more to drink, then chains the drunken Fortunato to the wall and begins to wall up the vault, allowing Fortunato to slowly gain his senses and realize the stupidity of his actions. Fortunato begins to shriek uncontrollably. Momentarily frightened, Montressor thinks to kill his enemy immediately, but, satisfied with his crime and the amount of torture it will have on Fortunato, Montressor decides simply to scream back at his enemy, and take away any of Fortunatos hope of escape with his own howls.

In both the story and the movie the characters who had been wronged take revenge on the person who wronged them. Through careful planning and infiltrating into the lives of their betrayers Montressor and Edmond Dantes get close to their enemy. After gaining the trust of Fortunato, Montressor takes his revenge in one swift blow by sealing him alive in the catacombs underneath his house. While Edmond Dantes make his revenge slow and painful to his betrayer by making him lose everything he holds dear little by little.

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Transcendentalism

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Focus Essay

Transcendentalism

As American literature moved past its early beginnings, new literary styles began to develop, most significantly in the form of two contrasting philosophies. While Transcendentalists embraced the idea of mans inherently "good" values believing anything is possible and disagreeing with conformity, Anti-Transcendentalists saw exactly the opposite. They believed man to be a mixture of good and evil and saw life as a quest. Two American authors who express the values of Transcendentalism and Anti-Transcendentalism would be Emerson and Melville, respectively.

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As a Transcendentalist, Emerson expresses non-conformity in the passage "Self-Reliance." "Whoso would be a man would be a non-conformist"(pg 5) shows the importance of society to man and how people should not be focused on 'foolish consistency' (pg 5) and being misunderstood. People should be original with one another and not focus so much on the conspiracy of society. Emerson says that consistency and conformity doesn't leave a potentially great soul, person, anything to do. As well as conformity, Transcendentalists believe that anything is possible as long as you put your mind to it. It is also about making your own destiny. For instance, in Emerson's, "Aphorisms" he states "This time, like all times, is a very good one, if we but know what to do with it."(pg ) Emerson is clarifying to his audience that as long as you make time for your convictions and act, then no time is better than right now. Procrastination would be alien to him.

In contrast, Melville, as an Anti-Transcendentalist, deals with the concept of man's fight with evil. In the passage from "Moby Dick", Melville builds our perception of this great white whale beginning with Ishmael's introduction "With greedy ears I learned the history of that murderous monster against whom I and all others had taken our oaths of violence and revenge." (pg 1) Ishmael's description of Moby Dick makes him a supernatural evil, "… declaring Moby-Dick not only ubiquitous but immortal…that though groves of spears should be planted in his flanks, he would still swim away unharmed…" Ahab's quest is to kill this evil. Ahab's monomaniacal pursuit of Moby Dick turns into the real evil. Melville highlights the Anti-Transcendentalism philosophy that all human motives have a mixture of good and evil in the depiction of the Pequod characters in that they aren't the best of people with Ahab's insanity driving them to death.

The Transcendentalist and Anti-Transcendentalist aspects on life are very different. Emerson, the Transcendentalist, believes man controls his destiny. Melville, the Anti-Transcendentalist, believes the forces of good and evil heavily influence each man's destiny. Emerson's focus is more positive, in that man's pursuit of his destiny is in his hands and that the evil is conforming to society. Emerson's outlook is about a man following his convictions and making it reality. Melville is as strong about the importance of the will of man as Emerson, but observes more potential for evil in man. Melville is more about the greater forces that impact man. Emerson is more about the potential of man himself.

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Grrrk mythological creatures

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Greek Mythological Creatures

The Greeks created myths to both entertain and to explain the unexplainable. The stories told of great heroes, immortal gods, and fierce monsters. I think that the latter are the most interesting and entertaining of the three, and I am going to tell you about five of the biggest, deadliest, and meanest creatures to ever appear in mythology.

The Cyclopes were very interesting creatures. They appear mainly twice in mythology, once in the creation story and once in homer's The Odyssey. Theses two stories show the Cyclopes as very different creatures. In both of the stories, the Cyclopes were giants with one huge, round eye in the middle of their forehead.

In the first story there were only three Cyclopes. They were sons of Gaia (earth) and Uranus (sky). Their names were Brontes (thunder), Steroes(lightning), and Arges (brightness). After birth, they were imprisoned below earth by Uranus, and later by Cronus. They were skilled blacksmiths, and their fiery workshops were found deep under the earth, thought by some to be beneath mount Etna. Zeus freed the Cyclopes when he rebelled against the titans, and they repaid him by making some things to aid him and his brothers in their fight. For Zeus, they created a magnificent thunderbolt. For Poseidon, they made a mighty trident. Finally, for Hades the conceived a helmet that made its wearer invisible, so he could surprise his victims. The Cyclopes and some other creatures helped Zeus to a triumphant victory over the titans. They were allowed to stay on earth from then on and were thought of as Zeus's loyal blacksmiths.

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In The Odyssey, the Cyclopes were portrayed very differently. In this story, they were horrible cannibalistic monsters. There were many of them and they lived in caves scattered across the island of Sicily. They did what they pleased, and cared only for themselves. They had no society nor any respect for the gods. Polyphemus, the Cyclopes that terrorized Odysseus and his men displayed this when he says, " We Cyclopes care not a jot for Zeus with his aegis, nor for the rest of the blessed gods, since we are much stronger than they." (Dibbley 6).

Even more astounding than the Cyclopes were the Hundred Handers. Also known as the Hekatonchires, these three giants were truly amazing. They were huge and strong beyond all telling; from their shoulders sprang one hundred arms terrible to behold and each had fifty heads upon its shoulders, growing from sturdy bodies (March 05). They were sons of Gaia and Uranus, and therefore were brothers of the Cyclopes. Their names were Briareos (or Agaeon), Cottus, and Gyges (or Gyes). When they were born, their father was so repulsed by the sight of them, he tried to push them back into their mother's womb. They were imprisoned in Tartarus, and like the Cyclopes, were released by Zeus when he rebelled against the titans. After the titans were defeated, and Zeus threw them into Tartarus, and he gave the job of guarding the gates of Tartarus to assure that none ever escaped, to the great Hundred-Handers. Later, when the gods of Olympus tried to overthrow Zeus, Briareos, the mightiest of the three brothers went to help him. The mere sight of the Hundred-Handed giant was enough to stop the gods.

The great beast called Typhon may very well be the biggest, scariest, and most deadly creature of them all. He was the last challenge of the power of Zeus. The Typhon's origin differs; depending on which story you read.

One story tells that he was the child of Hera alone. It says that she was jealous when Zeus produced Athena from his mind, so she prayed to Gaia to make a creature even more powerful than the king of the gods himself, and Gaia heard. Not much later hera gave birth to the monster. In the other story, the Typhon was the child of Tartarus and Gaia.

Either way, this creature was very, very disturbing. On his shoulders were a hundred hideous snake heads, all with black tongues and glaring eyes. These heads could produce every sound thinkable (lion's roar, stampede of bulls, etc.). The Typhon was taller than all the mountains; his head was said to have touched the stars. His mouth shot flames, his body was winged, and instead of fingers he had a hundred serpents heads on each hand. From the thighs down he was nothing but huge coiling serpents. When he stretched his hands out, one touched the east, and one touched the west.

Amazingly, Zeus defeated this horrible monster, although it was no easy task. The Typhon cut off Zeus's hands and feet and put them in a leather bag. The Typhon flew the helpless god off to his cave. Zeus found the bag in a corner of the cave and put them back on. He then threw mount Etna on top of the beast, ending the ordeal. The volcano is supposedly caused by the Typhon struggling to escape.

Another amazing creature, the Sphinx, comes from a particularly gruesome family. Her mother was Echidna the half women, half serpent monster. Its siblings were the horrible multi headed Hydra, the three headed dog Cerberus, the great Nemean Lion, and the fire breathing chimera.

The bloodthirsty Sphinx had the body of a lion, the wings of an eagle, a serpent for a tail, and the face and breasts of a woman. Hera sent the Sphinx to punish the people of Thebes. It lived atop a mountain just outside of the city and would ask all the people who walked by a perplexing riddle. It went like this "What creature walks on four legs in the morning, two in the afternoon, and three in the evening?"(Dibbley 18) If the person answered incorrectly, as everyone did, the Sphinx would strangle him or her and eat them immediately. The sphinx continued to kill people since no one could answer this odd riddle. Finally, one day, the hero Oedipus came across the Sphinx, and answered the riddle correctly (The answer was a human). When the Sphinx realized that her riddle had been solved, she was so enraged that she jumped off the mountain onto some jagged rocks, killing herself.

The last creature I am going to talk about is the Chimera. The Chimera is a sibling of the Sphinx and another child of Echidna. The Chimera was a truly bizarre monster. It had two heads, one a lion's, and one a goat's. It had the body of a lion and a serpent for a tail. To top it off, this deadly monstrosity breaths fire. The Chimera was killed when Bellerophon, riding Pegasus, jammed a chunk of lead into its throat. The beast's fire breath melted the lead, causing it to drip down her throat, scorching its insides.

Those are just five of the amazing creatures used in Greek mythology. I didn't even mention the snake-haired gorgons, the soul eating harpies, the half bull, half man Mintaur, or the graceful flying steed Pegasus. As you can see, the Greeks were some very imaginative people and it seems like the myths never end.

Please note that this sample paper on grrrk mythological creatures is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on grrrk mythological creatures, we are here to assist you. Your persuasive essay on grrrk mythological creatures will be written from scratch, so you do not have to worry about its originality.

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